“Stories are born unconsciously, but I think the writer determines whether the turn a book has taken is true or false through feeling, which is conscious. I shape my stories in this or that way because the story answers something that is emotionally rather than literally true for me.” At Full-Stop, Siri Hustvedt talks fiction with Tyler Malone.
Rebecca Schuman argues in an essay for Slate that extraordinarily long course syllabi are killing the college classroom. If it’s academic homicide you’re after, you might also want to check out Cathy Day’s piece for The Millions in which she suggests that academia might just be killing the novel, too.
“For Germany, the Wagners are what the Atreidai are in Greek mythology. One of them, Atreus, committed a grave sin, casting a curse over all subsequent generations, beginning with Agamemnon and Menelaus, followed by Iphigenia, Orestes and Electra. The family is marked by enmity, as is the Wagner family.” On a certain influential composer.
The “David Mamet Appliance Center” has some predictably abrasive customer service representatives. Here is Peter McCleery for McSweeney’s imagining a hilarious and existentially hopeless exchange between customer and technician. The Millions has even more to satisfy your fictitious-Mamet fix: an imagined symposium with Mamet, Francine Prose, and James Wood among others.