It was probably inevitable that someone would turn the ravings of Charlie Sheen into found poetry. But unlike similar collections “by” Donald Rumsfeld and Rod Blagojevich, this one offers us the opportunity to compare it to the real thing – Sheen’s early ’90s chef d’oeuvre, A Peace of My Mind.
“His books are not only obviously produced by an obsessive film buff (as evidenced by one wry recurring trick, the dates in brackets that follow even citations of celluloid ephemera), they often seem to want to be movies, as shown by another signature device, the way his protagonists – from the 1890s European spies and 1950s New Yorkers in the interwoven narratives of his debut, V. in 1963, all the way to Inherent Vice and Bleeding Edge in 2013 – break anti-naturalistically into song like characters in musicals.” An argument that Thomas Pynchon writes fiction tailor-made for the cinema.
“There used to be a time when people read literature to confront stuff. To experience things vicariously—whether it’s a forbidden scene or a forbidden idea. I think now we’re looking to literature for an escape from that. I’m not sure why that is.” Guernica interviews Marlon James, whose most recent novel A Brief History of Seven Killings was reviewed on the Book Report.