The English Illiad, compared: a look at the translations of Robert Fagles, Anthony Verity, Stephen Mitchell, and more.
The Wrath of the Translator
Love-Love
Why not follow in the footsteps of writers such as David Foster Wallace and play some tennis?
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Language is a Passport
Haruo Shirane writes for Public Books about writing and publishing in the age of English. As he explains it, “For those living in the Anglosphere, no barrier seems to stand between their world and the many other worlds that now appear at the push of a button. But for those outside that world, particularly in non-European countries, the literary and linguistic consequences of globalization in the age of English can often be severe.”
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What Should Fiction Do?
Bonnie Nadzam asks us what should fiction do? “An artistic practice that perpetually reinforces my sense of self is not, in my mind, an artistic practice.”
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El Diablo
As part of the latest chapter of the McConnaissance, Matthew McConaughey has been tipped to star in The Stand, the upcoming adaptation of Stephen King’s famous novel. McConnaughey is expected to play Randall Flagg, the malevolent sorcerer and necromancer. In the words of director Josh Boone, who also directed The Fault in our Stars, the movie will be “the Godfather of post-apocalyptic thrillers.” This might be a good time to read our own Lydia Kiesling on growing up with Stephen King.
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Return of the Ferrante
“According to an interview with her publishers in the Italian literary newsletter Il Libraio, translated in The Guardian, Ferrante is putting pen to paper once more.” A year after Elena Ferrante‘s alleged true identity was revealed by a journalist, the intensely-private author is writing again but has no plans to publish a novel in 2018. Pair with: staff writer Marie Myung-Ok Lee‘s essay on Ferrante, privacy, and woman writers.