Steel your nerve, readers! Kim Liao at The Literary Hub thinks that everyone should shoot for at least 100 rejections per year. At least some of the satisfaction, she argues, lies in knowing that “in the towering waves of slush, be it high tide or low tide, my own modest submission is out there, like a tiny sailboat, bobbing afloat.”
Is the practice of using writing as a metaphor for birth, or birth as a metaphor for writing, in need of an overhaul? Stephanie Feldman for Electric Literature has some strong opinions on the subject. Motherhood on the brain, now? Check out this moving essay for The Millions on mothers and sons by Rachel Basch.
Michael Cunningham, who alongside Maureen Corrigan and Susan Larson sat on the jury of the Pulitzer Prize for for fiction, gives the clearest account yet of how the award process works and defends the three shortlisted titles. His letter is in two parts, he also addresses the function of judgment and begins to build a poetics of literary greatness.