The music video for “Sweater” by Belgian indie outfit Willow relies on an impressive balance of timing, treadmill coordination, projection, and camera-work. A lot of ground is covered in a single room. It’s positively crazy. You might even say it’s virtual insanity. (Sorry I’m not sorry.)
Do author photographs change the way we see them (or the way we read their works)? At Lit Hub, stare into the souls of a few iconic writers and read about how author photos impact us. You could also read our review of Street Seen, which maps out how photography and reality became intertwined.
Recommended listening: Radio Open Source has been broadcasting Anton Chekhov‘s short stories, with voices including Chekhov translator and biographer Rosamund Bartlett, author Andre Dubus of House of Sand and Fog, and numerous other writers, actors, and scholars. “Chekhov makes you want to be a better person. He makes you want to live a better life.” (Unpersuaded? Consider our essays on why reading Chekhov, unlike booze or smokes, will make you a better person in 2014.)
“It’s like a crackpot combination of Baz Luhrmann’s Moulin Rouge!, Ingmar Bergman’s The Magic Flute and Lars von Trier’s Dogville. Does this crazy idea work? Maybe 70 percent of the time, but when it does it’s both daring and brilliant.” At Salon, Andrew O’Hehir is surprised by Anna Karenina.
New this week: Everything I Never Told You by Celeste Ng; Mambo in Chinatown by Jean Kwok; The Appetites of Girls by Pamela Moses; Shrink Thyself by the Letterman staff writer Bill Scheft; The Last Taxi Ride by A.X. Ahmad; and the Cambridge University Press edition of F. Scott Fitzgerald’s Taps at Reveille.