The music video for “Sweater” by Belgian indie outfit Willow relies on an impressive balance of timing, treadmill coordination, projection, and camera-work. A lot of ground is covered in a single room. It’s positively crazy. You might even say it’s virtual insanity. (Sorry I’m not sorry.)
You should check out George Saunders’s “Liner Notes” piece about “2776: A Musical Journey Through America’s Past, Present & Future,” which is set to accompany a forthcoming musical-comedy album from Patton Oswalt, Aubrey Plaza, Ira Glass, and Yo La Tengo, among others. If that hasn’t sold you, consider the fact that Saunders’s piece contains this line: “Truth be told, there were a number of regrettable omissions. Beyoncé and Jay Z’s piece ‘Bomber’ had to be left off the album. (‘Driver of this plane, this / B-52 on the way to Nagasaki / Stuff your ears with cotton and / Close those eyes / Me and my man are about to do it all over this / Here bomb’).”
“I was performing an experiment. I wanted to see [how] one of the greatest minds in history would be affected by an experience he had never had before: imbibing a suitable dose of clinical LSD in a desert setting of great magnificence, and then adding to that various kinds of entertainment.” An oral account of a 1975 trip to Death Valley with Michel Foucault.
The Metropolitan Museum of Art has just released almost 400,000 high-resolution digital images of its collections. Among them are thousands of illustrations from bygone days when “picture books” were not for children alone. Pair with Buzz Poole‘s reviews of contemporary works of visual literature in The Millions archives, from hand-drawn self-help quotes to politically-charged images of transit in Tehran.