In the current Broadway production of Twelfth Night, Mark Rylance plays Olivia, a role which sees him plaster his face in white makeup and style his hair into a “pouf like a charcoal brioche.” Rylance, the first artistic director of the Globe Theatre in London, projects such a palpable “air of distracted grief” in his performance that “the carapace of theatricality evaporates,” Charles Isherwood writes. The Times theater critic also highlights the work of John Douglas Thompson and Harriet Walter.
Comics fans will know that a new Marvel storyline may — just possibly — reunite Peter Parker and Mary Jane Watson. This has, understandably, produced a range of reactions, not least of which is this piece by Ta-Nehisi Coates, who argues that the two embody a healthy marriage. “[Their] marriage was a rejection of the macho ideal of romance—which reigns even among nerds—and it mirrored and confirmed my own budding sense of what love was at a very young age,” he writes. You could also read Paul Morton on the character of Peter Parker.
“It’s part of Jane Austen’s genius that she can bring the maximum of drama and momentousness to the most minimal of occasions.” Here is David Denby from The New Yorker on reading (and listening to) Austen’s Emma, which is celebrating its two-hundredth year in print. We’ve brought you a bunch of bits on Austen in the past.