The Man Asian Prize is no more. Long live the Man Asian Prize.
“Proulx’s deep reverence for the beauty and complexities of rural America has introduced millions of readers to the wide breadth of American life. Her commitment to crafting compassionate, honest stories has left an indelible mark on literature and created a powerful and enduring legacy.” Annie Proulx nabs the National Book Foundation’s lifetime achievement award. Check out her Year-in-Reading entry from this past year here.
At Page-Turner, our own Mark O’Connell notes “a thrilling obscenity” in the works of Gonçalo M. Tavares, a Portuguese writer whose recent novel, Jerusalem, depicts a character with schizophrenia. A lesser-known symptom of the illness, apparently, is a tendency to treat inanimate objects like conscious (and social) beings. (We wrote about Tavares back in March.)
The success of international authors like Orhan Pamuk, Ma Jian, Haruki Murakami, and Tash Aw – each capable of “transcend[ing] their homelands and emerg[ing] into a planetary system where there work can acquire a universal relevance” – has caught the attention of n+1’s editors. In a lengthy piece from their last issue, they suggest that we should be less concerned with such examples of “World” or “Global Literature,” and instead focused on more diverse, politically-charged and unique international works. “Global Lit tends to accept as given the tastes of an international middlebrow audience; internationalism, by contrast, seeks to create the taste by which it is to be enjoyed,” they argue.