Last Thursday, Faulkner Literary Rights, the company controlling William Faulkner’s works, proved two things by suing Sony Pictures Classics: 1) that they finally got around to seeing Midnight In Paris (2011); and 2) that they’re not down with Woody Allen’s decision to include two of the Nobel Prize-winning author’s lines in Owen Wilson’s dialogue.
The litigation is never dead. It’s not even past.
Special Snowflakes
“There are people who believe that readers and writers—at least the right kind of readers and writers—are special snowflakes, existing on a more exalted plane than mere mortals. Book people are educated. They are privileged. They are brave enough to speak out when the emperor shows up naked. They sup on nectar from flowers grown on the sunny slopes of Mount Olympus, harvested by chiton-wearing MFA candidates.” Jennifer Weiner responds to bad Amazon reviews, book blogs, and elitist ” book people” in an essay for The New Republic. We especially enjoy the line about the chitons.
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Regietheather
Is that a severed prostitute’s nipple in my Mozart? At City Journal, Heather MacDonald mourns the rise of slick, irreverent productions of classical operas in Europe known as Regietheater (director’s theater), a theory of opera direction that holds the director’s take on an opera to be as (0r more) important than the artist’s text.
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Feral Houses
Cities like Detroit and Cleveland aren’t dying, Anne Trubek says. Growth is everywhere.
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2010 Best Translated Longlist
Three Percent has unveiled the longlist for its 2010 Best Translated Book Award. Roberto Bolaño, J. M. G. Le Clézio, and Orhan Pamuk all made the cut.
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Chris Adrian’s Take on Shakespeare
Chris Adrian‘s pedigree is impressive: former Harvard Divinity student; Iowa Writer’s Workshop graduate; current fellow in UCSF’s pediatric hematology/oncology department; lifelong fan of Shakespeare. He’s also found time to appear in The Paris Review, The New Yorker, and McSweeney’s. Great Night, his latest novel, imaginatively reboots A Midsummer Night’s Dream by setting it in San Francisco’s Buena Vista Park. Here’s some footage of him reading an excerpt at last month’s FSG Reading Series.
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A Single Sentence
“Sometimes you come across sentences that are like cairns, evidence the trail continues, and you are so grateful to have found them.” For the Tin House blog Jacob Rubin considers one such sentence from Charles D’Ambrosio‘s Loitering, which our own Hannah Gersen reviewed for the Millions.
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So, what lines were they? Did they attribute them to Faulkner or just pretend they belonged to someone else? (I saw the movie, but don’t remember.) I know everyone’s a critic, but this seems like the start of an article–not a finished piece.
Hi Leslie,
The full-length article is linked within this Curiosity. (“…suing Sony Pictures Classics.”)
The lines are: “The past is never dead. It’s not even past,” as quoted from Requiem for a Nun (1950).