Last Thursday, Faulkner Literary Rights, the company controlling William Faulkner’s works, proved two things by suing Sony Pictures Classics: 1) that they finally got around to seeing Midnight In Paris (2011); and 2) that they’re not down with Woody Allen’s decision to include two of the Nobel Prize-winning author’s lines in Owen Wilson’s dialogue.
“But upon learning that the unmarried 60-something Ms. Welty was a fan, the 50-something Macdonald — Ken Millar, to use his real name, as he does in these letters — dashed off a note of thanks. A reply followed within a week.” On a new book of letters between Eudora Welty and Ross MacDonald. You could also read Jonathan Clarke on the letters of Willa Cather.
"My mind moves toward apocalypse fictions the way we think about a forgotten friend, or a partner that’s left us—grief becomes its own comfort." Adnan Khan writes for Hazlitt about how apocalypse fictions mirror the immigrant experience and vice versa.