Last Thursday, Faulkner Literary Rights, the company controlling William Faulkner’s works, proved two things by suing Sony Pictures Classics: 1) that they finally got around to seeing Midnight In Paris (2011); and 2) that they’re not down with Woody Allen’s decision to include two of the Nobel Prize-winning author’s lines in Owen Wilson’s dialogue.
The litigation is never dead. It’s not even past.
Replacement Burrito
Recommended Reading: This moving essay on secrecy, shame, and binging by Michael Sinert over at The Rumpus: “Our task is to de-son-of-a-bitch all this.”
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Tuesday New Release Day: King, Munro, Vásquez
New releases this week include The Wicked Girls by Alex Marwood, a limited edition of Stephen King’s illustrated poem The Dark Man and The Sound of Things Falling by Juan Gabriel Vásquez, which we covered as part of our Great Second-Half 2013 Book Preview. Now available in paperback is Alice Munro’s Dear Life.
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It’s an Honor
As a tribute to James Salter, who died on Friday at ninety, The Paris Review Daily republished his acceptance speech for their Hadada Prize, back in 2011. In the speech, Salter touches on George Plimpton, Barnes and Noble and his novel A Sport and a Pastime. You could also read our interview with the author.
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Slouching Towards Summer
From “A Prayer For Maintaining At Least A Tenuous Hold On My Sanity” to “A Prayer for My Wrecked Bladder,” here are five prayers whispered by a first-year teacher as the school year slouches to a finish.
Tuesday New Release Day: Zink; Gates; Gornick; North; Perry; Dimechkie; Leipciger; Swift; Robinson; Kovite
Out this week: Mislaid by Nell Zink; A Hand Reached Down to Guide Me by David Gates; Odd Woman in the City by Vivian Gornick; The Life and Death of Sophie Stark by Anna North; The Jesus Cow by Michael Perry; Lifted by the Great Nothing by Karim Dimechkie; The Mountain Can Wait by Sarah Leipciger; England and Other Stories by Graham Swift; and War of the Encyclopaedists by Christopher Robinson and Gavin Kovite. For more on these and other new titles, check out our Great 2015 Book Preview.
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Willa Cather’s Lost Lady
Jaime Fuller takes a closer look at one of Willa Cather's lesser-known novels, A Lost Lady, whose film adaptation was a sore spot for the author.
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Everything about him was old.
A charming stop-motion animated short based on The Old Man and the Sea.
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So, what lines were they? Did they attribute them to Faulkner or just pretend they belonged to someone else? (I saw the movie, but don’t remember.) I know everyone’s a critic, but this seems like the start of an article–not a finished piece.
Hi Leslie,
The full-length article is linked within this Curiosity. (“…suing Sony Pictures Classics.”)
The lines are: “The past is never dead. It’s not even past,” as quoted from Requiem for a Nun (1950).