“Publishers, writers, and readers alike really need to sit down and take this trend [the rise of self-publishing] seriously, rather than using the poetry.coms and AuthorHouses of the world as straw-men, scapegoats, piñatas, or other bludgeonable what-have-yous in the same tired and ineffectual arguments about how the Internet is ruining the publishing industry.”
Do people still need to study the humanities? You’d think the answer is “yes, of course,” but the issue is far more complicated than that. In a bid to sort it out, The New Republic recently asked a group of former university presidents to give their viewpoints on the matter. Sample quote: “Humanities faculty have too often conspired well.” Pair with: our own Nick Ripatrazone on coming to writing from outside the humanities.
"Every story I have ever told has a kind of breach to it, I think. You could say that my writing isn’t quite right. That all the beginnings have endings in them." Lidia Yuknavitch, who recently published an essay, "There is No Map for Grief," in the Millions, now has an essay on violence, beauty and and storytelling in Guernica.
Sundog Lit is putting together their first theme issue, and it’s going to be all about “Games” of all types: video games, baseball games, Game of Thrones, etc… Fittingly, their guest editor for this issue will be Level End author Brian Oliu. Submission deadline is June 1st. If you need a little inspiration, you should check out Adrienne LaFrance’s take on MoMA’s video games exhibit.
"You couldn’t say, no, this is actually a president, this is exactly how a leader ought to talk and reason, because even with the uhs and ums cleaned out and the spoken sentences made to look like written ones, Trump’s discourse isn’t coherent." Linguist Michael Erard for The Awl on reading Trump's transcripts.
New this week: Salman Rushdie's much talked about memoir Joseph Anton, T.C. Boyle's San Miguel, The Life of Objects by Susanna Moore, and Irvine Welsh's Trainspotting prequel Skagboys. Also new this week: Paul Elie's Reinventing Bach, Sylvie Simmons's biography I'm Your Man: The Life of Leonard Cohen, and n+1 vet Marco Roth's memoir The Scientists.