When Hanna Rosin published The End of Men this year, the book stirred up a lot of controversy (and a number of parodies, to boot). Now Stephanie Coontz, a historian, takes issue with Rosin’s premise — the “myth of male decline” — in the pages of The New York Times Book Review.
The End of a Myth
Digital Love
Jonathan Franzen's 2011 Kenyon commencement speech, published this weekend in the New York Times, covers love, consumerism, and narcissism in the digital age. If you're concerned with critical reception, looks like you're not a creator of "serious art and literature," in Franzen's eyes.
Stars of Old Russia
In 1913, four years before the Russian Revolution, Tsar Nicholas II made the now-baffling claim that a writer named Teffi was the only major Russian writer. At the time, however, his endorsement made sense, because everybody in Russia, from royalty on down, read Teffi’s work and “delighted” in it. Until the revolution, at which point she was consigned to oblivion. William Grimes writes about a new collection of her stories.
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“The year we killed our teacher”
What's the only thing nicer than new fiction by Hilary Mantel? New fiction by Hilary Mantel that you can read for free. At the LRB, check out the entirety of her latest, "Kinsella in His Hole."
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Something More Pleasant
You may have read some of our pieces on graphic novels and comics. The form is increasingly seen as an indispensable genre of literature. At Slate, a team of judges select the nominees for their third annual Cartoonist Studio Prize, including Here by Richard McGuire and Can’t We Talk About Something More Pleasant? by Roz Chast.
Revenge of the Pigeons?
Will 2012 be the year they finally rise up against us? A study finds pigeons can do higher math.
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To Kill a Mockingbird on Broadway
Aaron Sorkin is writing the first Broadway production of Harper Lee’s To Kill a Mockingbird. To prepare, Michael Bourne’s essay introduces us to the real Atticus Finch.
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