The villanelle, beloved by Elizabeth Bishop, Sylvia Plath, and Dylan Thomas, might be making a comeback.
Using pen names has been a common practice for, well, a very long time. George Eliot is a nom de plume, as are George Orwell and George Sand. Though not a George, journalist Sarah Hall chose to publish her fiction under a different name. She writes for The Guardian about this decision, the history of the pen name, and the reasons authors continue to use them.
Over at ZYZZYVA, Christian Kiefer talks to playwright Octavio Solis and novelist Scott Hutchins about the craft of writing and the difference between writing plays and writing novels. “It takes a huge amount of hard labor, man, to harness the forces that we are using to make our stories. They may emerge whole cloth out of our need to know how we operate as humans, but they’re often clumsy unfinished beasts." Kiefer’s new novel, The Animals, is one of the most anticipated books of 2015.
JSTOR will be making 500,000 articles from over 200 journals freely available to the public. These will include items published before 1923 in the US, and published before 1870 abroad. Earlier this month, I rounded up a few pieces by people who think the entire database should be free.
The publishing industry is changing quickly, and Jellybooks is helping it happen. The company gives out free e-books to readers in exchange for their consent to track their reading habits. This data goes back to publishers to be used in the market. Our own Nick Moran asks if e-readers are as green as we think.
"At bottom, the argument about copyright is not really a philosophical argument. It’s a battle between interest groups." Louis Menand writes about American copyright law in the digital age for The New Yorker, and his essay pairs well with the many articles on copyright we've published over the years.