The villanelle, beloved by Elizabeth Bishop, Sylvia Plath, and Dylan Thomas, might be making a comeback.
If you haven't already, be sure to check out the new books and culture website The Nervous Breakdown. They've already got a great interview with Millions favorite Dan Chaon, as well as some interesting essays that I'm looking forward to digging into. I also like their "self-interview" series--where writers ask, and answer, their own questions.
"Over three decades of almost constant composing and recording, he would amass over sixty LPs, running the gamut from early records with his band the Mothers of Invention that helped to create the milieu we think of as the Sixties, to caustic send-ups of that same counterculture, doo-wop pastiche, tape cut-ups, film scores, gonzo cabaret, big-band charts, way out prog, show tunes, music composed entirely on and for the Synclavier digital sampler, full-score orchestral music, and thousands of scabrous, exploratory guitar solos." On Frank Zappa, music theory wizard and occasional public intellectual.
"No novel gets uniformly enthusiastic reviews, but the polarized responses to The Goldfinch lead to the long-debated questions: What makes a work literature, and who gets to decide?" Vanity Fair has big questions and lots of opinions about Donna Tartt's latest novel, which we've covered pretty extensively ourselves.