The villanelle, beloved by Elizabeth Bishop, Sylvia Plath, and Dylan Thomas, might be making a comeback.
Did mysterious bureaucrats authorize the destruction of historical documents in North Carolina in order to cover up “a paper trail associated with one or more now-prominent, politically connected NC families that found its wealth and success through theft, intimidation, and outrageous corruption?” That’s Constance Hall Jones’s suspicion. Bonus: Part two, which includes a timeline. (h/t Lydia Kiesling)
Here are three pieces about horror in honor of 2012 being the centenary of Bram Stoker’s death. 1) Yazan al-Saadi’s fascinating survey of Arabic horror cinema, which is not only “about what can frighten most Arab audiences, [but is] … also a chronicle of the abnormalities and dysfunctions lacing the underbelly of Arabic cinema as a whole.” 2) Ed Park’s essay on “the audacious enterprise” of Rosemary’s Baby. 3) Stuart Kelly’s entreaty for modern writers of horror to “raise its game.”