Chinese poet Su Hui composed an 841-character array in the fourth century that can be read forward, backward, horizontally, diagonally, and vertically. The poem, entitled “Xuanji Tu,” can be read in 2,848 different ways as a result.
Su Hui’s Masterpiece Palindrome
Alexander Chee: “I, Reader”
Alexander Chee has a lovely essay about books and technology up at The Morning News.
John Jeremiah Sullivan Reads
John Jeremiah Sullivan‘s NY Times essay “You Blow My Mind. Hey, Mickey!” was a big hit last June. Next October, FSG will publish Pulphead, his second collection of essays. To tide you over until then, you can listen to The Paris Review‘s Southern Editor read an excerpt from his Disney piece.
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The Kite and the String
“Some people see things others cannot, and they are right, and we call them creative geniuses. Some people see things others cannot, and they are wrong, and we call them mentally ill.” The Atlantic has an excellent contribution to the age-old thesis that creativity and madness are inextricably linked–and tied, moreover, to mental illness–based in part on a sample of students at Iowa Writer’s Workshop. Pair with another essay on creativity and the “touch of madness” from our own archives.
Plus He Took a Selfie
We’re not the only ones looking back on favorite pieces of the year. At The Paris Review Daily, a Gchat (yes, Gchat) with George Saunders, who corresponded with Katherine Bernard on Valentine’s Day.
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Henry Miller: Asleep and Awake
The documentary about Tropic of Cancer author Henry Miller, Asleep and Awake (NSFW), was filmed almost entirely in Mr. Miller’s bathroom. The filmmakers, according to the folks at Open Culture, “use[d] these bathroom walls as a gateway into his mind.”
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