What if I were to tell you that only half of you is actually you? A new book by Ed Yong takes a look at the human body and the microbial stowaways that make up most of us: “Reader, as you read these words, trillions of microbes and quadrillions of viruses are multiplying on your face, your hands and down there in the darkness of your gut. With every breath you take, with every move you make, you are sending bacteria into the air at the rate of about 37 million per hour — your invisible aura, your personal microbial cloud. With every gram of food you eat, you swallow about a million microbes more.”
“Of all the literary genres, poetry has proved the most resistant to digital technology, not for stodgy cultural reasons but for tricky mechanical ones.” Looks like that might be changing, however, as Open Road releases Flow Chart, Your Name Here and 15 other John Ashbery digital poetry collections.
Lydia Millet’s most recent novel, Magnificence, is the third in a trilogy, and a reminder of what a significant body of work she’s been building over the last decade. The Point offers the best overview of that work you’re likely to find anywhere. Millet’s “equal parts” Ben Marcus and Jonathan Franzen, writes Tom Dibblee, “but really she’s her own thing.”
“I’m annoyed that so many young rapists lack interest in their own motivations, or are led to believe that an absence of real psychic motive will make the crime merely an act, when really it’s the uninterested mereness of the act that makes it feel, to some victims, so criminal.” Sarah Nicole Prickett compares the many letters released following Brock Turner’s trial at n+1.
Those following this weekend’s events in Tripoli will no doubt be interested in Banipal‘s issue dedicated to Libyan fiction. And, as Moammar Gaddafi‘s reign appears to be ending, the Guardian‘s evisceration of his short stories is worth a read. On NPR‘s site, Hisham Matar also explains the influence of Gaddafi’s rule on Libyan writing.