Owing to a successful Facebook campaign and some outcries from the Press’s authors, University of Missouri administrators have decided to reinstate the University of Missouri Press—which was recently shuttered—and “rehire” its editor in chief, Clair Wilcox. The goal now, according to the university system’s president, is to “reinvent [the press] in a more cost-effective technological model.”
Amazon released their annual Best Books of the Year: Top 100 in Print list today (as well as a free and helpful Reader’s Guide), and numerous Millions favorites made the cut. Both George Saunders’s Tenth of December and Philipp Meyer’s The Son cracked the top 10. We reviewed both here and here, respectively. Other notable books boasting extensive Millions coverage include Meg Wolitzer’s The Interestings (review), George Packer’s The Unwinding (review), Eleanor Catton’s The Luminaries (review), Dave Eggers’s The Circle (review), James Salter’s All That Is (review), Karen Russell’s Vampires in the Lemon Grove (interview), Stuart Nadler’s Wise Men (review), Colum McCann’s TransAtlantic (review), and Colm Tóibín’s The Testament of Mary (review). Meanwhile, the top spot belongs to Donna Tartt’s The Goldfinch.
“Idea #2: Book opens to reveal it is hollow, contains one medium-sized onion. Review: ‘Multilayered… had me in tears.'” How to write a first novel that gets praised in the New York Times.
“Porn, Cyberterrorism, The Russian Mob and the Future of Literature” A piece exploring the coming insurrection: digitization – and thus democratization – of books.
In October 2011, Hannah Gersen convincingly argued that the Occupy Wall Street protests bore more than a few similarities to Bartleby, The Scrivener. Now, amid the political demonstrations going on throughout Turkey, Millions contributor Kaya Genç draws a similar parallel between Istanbul’s “Standing Man” and Herman Melville’s famous protagonist.