When you’ve exhausted the marriage playlist, try listening to the top ten most mentioned songs in books, via Publisher’s Weekly.
Smells Like Lit Spirit
Adventures in Surrealism
Three decades after his death, the work of Romanian writer Max Blecher remains largely unavailable in English. Ricky D’Ambrose writes for The Nation about Blecher’s work. As he puts it, “Max Blecher is an obsessive saboteur of the breach between two seemingly irreconcilable positions: revulsion and lust.”
Looking Over the Shoulders of Giants
Ever want to watch someone write a novel? Nows your chance. Sorta. Silvia Hartmann, UK author of thriller novels, is inviting readers to observe as she types up her next novel in a Google doc.
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America Central
Newsweek Senior Writer (and Millions contributor) Alexander Nazaryan has a new interview with William T. Vollmann up on Newsweek’s website. To start things off right, he reports that if Vollman were to win the Nobel Prize, he’d enjoy giving a decent chunk of the prize money to prostitutes.
When Life Gives You Rob Ford, What More Do You Require?
PSA: Little Brother is releasing a special issue entitled Everything Is Fine. The kicker? The issue is dedicated to fiction about embattled Toronto mayor Rob Ford. (P.S. If you aren’t familiar with LB, it’s the magazine run by Millions Tumblr-er emeritus Emily M. Keeler.)
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Cain’s Campaign Cash
Bloomberg and Talking Points Memo raise questions about Herman Cain’s practice of using campaign funds to buy his own book, This is Herman Cain! My Journey to the White House, from a motivational speaking company that he runs. (via)
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“It really is a different life”
Donna Tartt has a new novel out, and with it come new interviews. At Salon, Laura Miller sits down with the author behind The Secret History.
Poem Piece
“Take your pants off / before you fight.” Apparently Yoko Ono’s releasing a new book of poetry.
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Just a Formality
The novelist Julie Schumacher wrote her latest, Dear Committee Members, entirely in the form of letters of recommendation. The format allowed her to illustrate the travails of a creative writing professor through a medium often ignored in fiction. At The Awl, Jessica Gross and Merve Emre talk about the novel. Pair with: Cathy Day on academia’s novel crisis.