“On the day I moved in, without giving it any thought, we started to refer to one storage space—there are three, two low-ceilinged ones on either side of the pitch-roofed room and one closet—as ‘the bad area.’ We had barely walked in, we (at least I) had forgotten the ghost, and here we were—‘the bad area.’” Amie Barrodale writes at The Paris Review Daily about life in a haunted apartment.
Should’ve Read The Lease
I Can Haz Russian Masters
In her “Classic Russian Writers: For Teh Internets” column at McSweeney’s, KA Semënova “updates classics of Russian literature with modern technologies to see if the insights of those writers hold up today.” Her first two pieces explore Anton Chekhov’s “The Lady with the Dog” and Vsevolod M. Garshin’s “The Signal.”
●
●
Taming the Land
David Gessner thinks Wallace Stegner and Edward Abbey are more relevant than they’ve ever been. Why? Their stories about the West anticipated the California drought. At Salon, Gessner explains why, among other things, Stegner spent much of his life debunking Western individualism.
●
●
Say That Again?
Duncan Murrell has a new essay up on the Harper’s Magazine blog about how difficult it is for journalists to speak to their sources through interpreters. “I became concerned that my interpreters were not delivering my words in the way I delivered them and in precisely the way I meant them,” he writes.
●
●
A Bit Rusty
Most of our discussions about changing the canon revolve around adding onetime marginalized writers. But there’s a flipside to this -- who do we need to eject? In a Bookends column for the Times, James Parker and Francine Prose pick greats that are no longer great.
Morgan Spurlock’s Guide to Comic-Con
Supersize Me director and star Morgan Spurlock's latest project has released its first trailer. Comic-Con Episode IV: A Fan's Hope profiles the atmosphere and attendees (including Seth Rogen and Kevin Smith) of San Diego Comic Con. It will release this April. (via)
●
●
Telegraph Alternates
Will Staehle designed the cover art for Michael Chabon’s latest novel, Telegraph Avenue (Millions review), and his finished project is certainly eye-catching. But what of the designs that didn’t make the final cut? Over at the Huffington Post, you can take a look at some of his other ideas.