“On the day I moved in, without giving it any thought, we started to refer to one storage space—there are three, two low-ceilinged ones on either side of the pitch-roofed room and one closet—as ‘the bad area.’ We had barely walked in, we (at least I) had forgotten the ghost, and here we were—‘the bad area.’” Amie Barrodale writes at The Paris Review Daily about life in a haunted apartment.
Sam Jordison asks us how Heller’s Catch-22 became a bestseller. “Yossarian’s kept a lasting grip on our collective psyche; he’s the ultimate moral rebel. To object to him would be to put yourself on the side of stuffed shirts, those who kill for profit and in the name of absurd patriotism.”
Tasteless and horrifying–nay, even a sign of the apocalypse–or rather excellent advice for college-bound young ladies? You decide: Vice Magazine‘s “A Beginner’s Guide to Drugs For Girls.” (A taste: “Here are some pointers for the beginners out there so you can get high without becoming that girl slumped in the corner of the night bus with vomit all over your shoes and lockjaw so bad your teeth have all snapped in half.”)
“In the morning, before we left, we presented my aunt with a gift from Indonesia, a package of luwak, one of four in Bon’s duffel. Civet coffee? she said, bemused. We were already savoring cups of coffee at her table, brewed in her coffee press from Arabica beans of her own supply.” An excerpt from Year in Reading alumnus Viet Thanh Nguyen’s forthcoming novel appears in the new issue of Ploughshares.
Sometimes, it’s easier to read or watch something that’s light and airy, as opposed to seeking out art that challenges your perspective. Millions contributor Fiona Maazel generally thinks of herself as a person who instinctively chose nuance over breeziness. But lately, she’s had to ask herself a tough question — is she actually more attracted to the anodyne?