After you finish reading this reconsideration of the music of Yoko Ono, you might want to get reacquainted with her entire oeuvre, starting with the fascinating Cut Piece.
Reevaluating Yoko Ono
Joshua Cohen’s Epic
Joshua Cohen, author of the just-published meganovel Witz, dispenses provocations in The New York Observer: "The targets might be Michael Chabon, Jonathan Safran Foer, Shalom Auslander... When I started this book, I wanted to sleep with their wives. By the time I finished, I wanted to sleep with their mothers."
On Fear and Dread
Mary Ruefle, author of the forthcoming Madness, Rack, and Honey, wrote a poetic essay on the subject of fear. It’s chock full of lines like this one about why she likes the word dread more than the word fear: “because fear, like the unconscious emotion which is one of its forms, has only the word ear inside of it, telling an animal to listen, while dread has the word read inside of it, telling us to read carefully and find the dead, who are also there.”
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Writers and Their Translators
Words Without Borders has interviewed the writers and translators of Man Booker International Prize finalists Man Tiger, A General Theory of Oblivion, The Vegetarian, and more. Pair with this Millions review of The Vegetarian, a “dark and cynical” novel.
The Perils of “Showrooming”
Emma Straub, whose Year in Reading piece ran this week, has written a great article on the perils of "showrooming."
Bailouts and Bulgakov: On Russian Publishing
Since 2010, Russian publishing professionals estimate that “as many as 20% of [all] Russian book stores have closed.” Each year, they fear, the number of “dedicated readers in Russia declines by 2%.” To remedy these trends, the Russian government has recently approved a $100 million stimulus package for the nation’s book industry – running the gamut from investment in new bookstores, to tax incentives for small presses, and also to more international book fairs – to be dispersed through 2018. Recently, Emily Parker noted in The New York Times that Russia’s literary problems might be blamed on its lack of “good protest literature.”
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Tuesday New Release Day
New this week: Gary Shteyngart's much buzzed about Super Sad True Love Story, Rick Moody's The Four Fingers of Death (another literary dystopia), and a new Roberto Bolaño collection, The Return. Bonus for GN'R fans: GN'R drummer Steven Adler's tell-all memoir My Appetite for Destruction: Sex, and Drugs, and Guns N' Roses.
A Murky Origin Story
"Their staff is always sharp, and they seem to cover politics more robustly now. But through the 1960s there were so many political trends they ignored, pretending to be focused on craft and art for art's sake." An interview with Joel Whitney about his forthcoming book Finks: How the C.I.A. Tricked the World's Best Writers, which tells the story of how the intelligence agency helped found The Paris Review. With this backstory in mind, you may read the journal's author interviews in an entirely new way.
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