After you finish reading this reconsideration of the music of Yoko Ono, you might want to get reacquainted with her entire oeuvre, starting with the fascinating Cut Piece.
Reevaluating Yoko Ono
Oh, you were the best of all my days.
Zadie Smith reading Frank O’Hara’s “Animals,” by way of the Chicago based ad and design agency, Coudal Partners, and their voice mail based poetry project, Verse by Voice.
Bad Titles
“There’s something to be said for allusive titles: they can be intriguing and draw you in. And obscure titles at least make a change from the current trend for The Woman Who Climbed out of Her Car and Mowed the Lawn. (I made that one up, though it could be a bestseller). But when it comes to titles that are simply misleading, there are just far, far too many.” In a piece for the Guardian Moira Remond considers some of the most misleading and misunderstood book titles, such as John Williams‘s Stoner (which our own Claire Cameron wrote about here.)
Tomorrow!
This past week GOOD laid off most of their editorial staff, including former Executive Editor and creator of the #realtalk From Your Editor tumblog Ann Friedman. Posting some extra #realtalk on her blog yesterday, Friedman announced that the band of former GOOD editors are looking for work and also launching their own magazine: Tomorrow.
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Like It or Love It?
Recommended Reading: A very long (and informative) piece on Tom Vanderbilt’s new book, You May Also Like, and why people enjoy the things they do in the Age of the Internet.
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LGBTQ Characters Deserve Happiness Too
“So why should the stories about us always be about the bad stuff? We deserve the romantic comedy, the late night barfly scene, the silly, light-hearted stuff of life reflected back at us.” Camille Perri writes about the need for queer stories that are not rooted in sadness, trauma, or loss. Pair with: an essay on the commercial viability of LGTBQ literature.