“Where, more importantly, is the story? David simply is. He does nothing, desires nothing. He exists, if that, and nothing more.” Shalom Auslander judges the prestigious Three Under Three prize.
“Pointless and trivial.”
That Used To Be You
“The day you follow me to that mound of oyster shells on the beach is the day I realize muscle and bone have been at war for a long, long time.” The Saturday Rumpus essay by Ashley Inguanta is tender and poetic. Some past iterations are also well-worth a revisit.
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The “Bad” Author Myth
On the heels of a New Mexico school district banning Neverwhere because a mother considered it “R-rated,” Neil Gaiman delivered a lecture for the Reading Agency about the importance of libraries and reading for children. “It’s tosh. It’s snobbery and it’s foolishness. There are no bad authors for children, that children like and want to read and seek out, because every child is different,” he said about banning books.
The future of the crossword
Crosswords in print newspapers are declining alongside print newspapers, but there may yet be a promising future in mobile apps.
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Look Who’s Talking Knau
“I could not do anything but wiggle, so I wiggled.” Here’s a fake excerpt from the non-existent seventh book of Karl Ove Knausgaard’s My Struggle series, helpfully titled Look Who’s Talking Knau.
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Salinger Snaffu
If J.D. Salinger had it his way, we would all probably be dead by the time we got to read his unpublished works. However, someone leaked scans of a paperback entitled Three Stories, including the Catcher in the Rye precursor, “The Ocean Full of Bowling Balls,” on eBay on Wednesday. You can view the PDF here.
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Staying and Staying and Staying
“It’s interesting to me now how many lawyers I’ve published. There’s something about the retelling, the assembling of a logical arc, about planting the clues and so forth that is believable and compelling. There’s a similarity in the way your mind needs to work, too. The logical progression of the narrative, the planting clues, the revelations and also just imbuing it with the emotional truth of the moment. That’s what a fiction writer has to do.” An interview with editor and literary gatekeeper Lee Boudreaux.
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