A decade before Matt Groening created The Simpsons, he debuted his first comic, Life in Hell, at a record store in Los Angeles. The strip kept running for thirty-five years, even after The Simpsons brought its creator international fame. He decided to end it earlier this year, and his fans (including Alison Bechdel) are paying tribute.
Independent publisher Melville House worked straight through December to publish the Senate Intelligence Committee Report on Torture in time for the New Year. Now co-founder Dennis Johnson talks with Vulture about why his press decided to publish the book at all, and about the varied moral and practical concerns at stake when working on such a project.
When Damien Searls first read W.G. Sebald, he thought the German writer was uniquely good at factoring historical circumstance into his thinking. Sebald’s unyielding reminders of the horrors of the past were a nice corrective to the feel-good pablums of the ‘90s. But reading Sebald now, Searls thinks something has changed. What happened? The world went online. (Related: Greg Walklin on Sebald’s A Place in the Country.)
Out this week: The Children Act by Ian McEwan; The Dog by Joseph O’Neill; Barracuda by Christos Tsiolkas; Hold the Dark by William Giraldi; Prelude to Bruise by Saeed Jones; Faithful and Virtuous Night by Louise Glück; Gangsterland by Tod Goldberg; Happiness: Ten Years of n + 1; Neverhome by Laird Hunt; and Station Eleven by our own Emily St. John Mandel. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.