“Six thousand books is a lot of reading, true, but the trash like Hell’s Belles and Kid Colt and The Legend of the Lost Arroyo and even Part-Time Harlot, Full-Time Tramp that I devoured during my misspent teens really puff up the numbers. And in any case, it is nowhere near a record. Winston Churchill supposedly read a book every day of his life, even while he was saving Western Civilization from the Nazis. This is quite an accomplishment, because by some accounts Winston Churchill spent all of World War II completely hammered.”
You may have heard that Joshua Cohen has a new book out this week. The Harper’s columnist’s fourth novel tells the story of a ghostwriter producing a tech wizard’s memoirs. In BOMB Magazine, Dan Duray sits down with Cohen, who talks about the book, the Bay Area and the cultural production of autism. Related: Johannes Lichtman on Cohen’s Four New Messages.
Recommended Reading: Nathaniel Rich discusses Stephen Wright’s Meditations in Green, which he says is remarkable because “it convinces you that the war never ended.” Indeed, Rich writes, the author’s debut novel “suggests that Vietnam at some point transcended the Indochina peninsula and became a mental condition, a state of being not unlike certain forms of insanity, that has become encrypted in our genetic code.”
“One lie I tell is that we care, generally—human beings—about each other. We could not, I tell myself in the moments just before the night’s dark hour, create The Odyssey or King Lear or Thomas and Beulah without a profound sense of The Other. Surely, were it true this thing’s a joke, nothing more, and a cruel one at that, we’d have no Dickinson, no Yeats, no freakin’ Rumi, read by Bly, loud on an old tape deck while I shower.” Pablo Tanguay on the art of lying.
Martin Scorsese is finally making a movie without Leonardo DiCaprio. He and David Tedeschi are working on a documentary about The New York Review of Books. It will cover the publication's history and feature new footage of Joan Didion and Michael Chabon, among others. The film is a work in progress but will premiere at Berlinale next month.