In a piece for The New York Times Jennifer Moses takes a tour of south Louisiana, "a place that produces writers the way France produces cheese — prodigiously, and with world-class excellence — a place that calls on its writers’ talent and inspiration and, in turn, is reflected back into the world through their words," and of the past haunts of Tennessee Williams, Anne Rice and Kate Chopin.
After Herzog came out, Saul Bellow began the slow transformation from young Bellow into old Bellow, from the critically adored but little-known writer to the Nobel Prize winner whose views were solicited on every topic. In The New Yorker, Louis Menand writes about a new biography of the author, which tackles his early career. Related: our own Emily St. John Mandel on Bellow’s novel The Bellarosa Connection.
The Kilroys, a group of leaders in American theater, has put together a list of 46 plays by emerging women playwrights that they think deserve to produced (only 10.5% of Broadway plays are written by women). That list is a brilliant resource to promote diversity in dramatic literature--but now we want to read all the unpublished plays on it.
“I try to edit my work in different states of mind. So I’ll go running on a really hot day and then read the 2,000 words I just wrote. Or if I’m upset, or really sleepy, or if I’m drunk, I’ll read this stuff. If you’re sleepy and you find yourself skipping over a paragraph because you’re bored by it and just want to get to the interesting part, it comes out. Those different states of mind are a really interesting filter." Writing advice from Sebastian Junger.
J.K Rowling is a vandal! The billionaire and author of the Harry Potter series left her mark in an Edinburgh hotel room when she scribbled some graffiti on the back of a decorative bust back in 2007. "J.K. Rowling finished writing Harry Potter and the Deathly Hallows in this room on 11 Jan 2007," it reads. Oh, I suppose that's okay.