On Better Halves (or Twentieths)

At The New York Times, Stanley Fish on True Grit as “a truly religious movie” in its understanding of the Christian idea of grace.

Out this week: Bed-Stuy Is Burning by Brian Platzer; Gork, the Teenage Dragon by Gabe Hudson; Goodbye, Vitamin by Rachel Khong; A Life of Adventure and Delight by Akhil Sharma; Knots by Gunnhild Øyehaug; Pages for Her by Sylvia Brownrigg; and Moving Kings by Joshua Cohen. For more on these and other new titles, go read our just-published book preview.

Apocalyptic literature is nothing new, but it may, according to Grayson Clary, be entering a new era. In Bookforum, he argues that Benjamin Percy’s The Dead Lands ushers the genre into its mannerist phase. Sample quote: “The Dead Lands is really the stripped, buffed skeleton of a road story, set up to show off—attractively—an enormous quantity of decorating tropes.” You could also read our interview with Percy.

Oh, ghostwriter: that poorly-paid name snuck into the “Acknowledgements” section somewhere after agent’s agent and ex-wife’s third cousin. In the middle ground between Michael D’Orso, who spoke to The Millions of job satisfaction as a hired pen, and Sari Botton, whose reminisces are full of horror stories, Andrew Croft, author of 80 books that sold 10M copies under other people’s names, offers a circumspect take in his Guardian profile. “The ghost is advised never to forget that, at the end of the day, he or she ranks somewhere between a valet and a cleaner.”

Ava Kofman writes about Disney’s Smart House becoming a reality (or just making our lives more difficult).