“Ghosts are just the fucked-up dead.” This interview with David Mitchell on the release of his spooky new novel Slade House is a perfect Halloween read. We interviewed Mitchell this same time last year in conjunction with the publication of The Bone Clocks.
The literary archives of Gwendolyn Brooks – the first African-American to win a Pulitzer Prize – are headed to the University of Illinois Rare Book and Manuscript Library. The haul amounts to more than “150 boxes stuffed with manuscripts, drafts, revisions, correspondence, scrapbooks, clippings, homemade chapbooks in which Brooks neatly handwrote her earliest (unpublished) poems, and heavy bronze awards ensconced in velvet-lined boxes collected later in her career.”
“Almost as soon as the concept of the Great American Novel was invented, in the nation-building years after the Civil War, Buell finds it being mocked, noting that one observer dryly put it into the same category as ‘other great American things such as the great American sewing-machine, the great American public school, and the great American sleeping-car.’ It was enough of a cliché by 1880 for Henry James to refer to it with the acronym ‘GAN,’ which Buell employs throughout his book.” On the reigning gold standard for quality in American fiction. (Related: we asked nine experts their picks for the best American novel.)
“I asked myself – why don’t I state the race of my characters? And am I doing something wrong by not explicitly including a diverse cast of characters? Could I be doing something better? The short answer is yes.” An argument in favor of race bent fanfiction and resisting assumedly white characters from The Missouri Review blog.