The Morning News continues its ongoing Reading Roulette series by sharing “A Light Head” by Olga Slavnikova. While the author is a contender for the 2013 Russian Booker Prize, TMN correspondent Elizabeth Kiem doesn’t need to wait to award “best line” to this little ditty: “The Russian dilemma posed by Dostoyevsky—‘Shall I let the world go to hell or skip my tea?’—has been resolved in favor of the tea.”
“It’s like a crackpot combination of Baz Luhrmann’s Moulin Rouge!, Ingmar Bergman’s The Magic Flute and Lars von Trier’s Dogville. Does this crazy idea work? Maybe 70 percent of the time, but when it does it’s both daring and brilliant.” At Salon, Andrew O’Hehir is surprised by Anna Karenina.
Riffing on R&B singer Ernie K-Doe’s one-time statement, Chris Rose writes in the Oxford American, “I’m almost positive that all music, at least all American music, comes from Louisiana.” The essay appears in this year’s OA Southern Music Issue, a reliably excellent source of tunes and writing. Indeed, as Dwight Garner put it in The New York Times, the CDs that accompany each annual issue “practically belong in the Smithsonian.”
"When the French would go to serve, they often said, Tenez!, the French word for 'take it,' meaning 'coming at you, heads up.' We preserve this custom of warning the opponent in our less lyrical way by stating the score just before we toss up the ball. It was the Italians who, having overheard the French make these sounds, began calling the game 'ten-ez' by association. A lovely detail in that it suggests a scene, a Florentine ear at the fence or entryway, listening." Whether it's David Foster Wallace or John Jeremiah Sullivan writing about tennis, I'm reading it. Another three-namer, Jonathan Russell Clark, reviewed The David Foster Wallace Reader for The Millions.
The cuddle trumps sodomy! At The New York Times, the controversial post-feminist Katie Roiphe explores the difference between the descriptions of sex in the last generation of American male novelists (Philip Roth, John Updike, Norman Mailer) and the current generation (David Foster Wallace, Benjamin Kunkel, Dave Eggers, Jonathan Safran Foer).