Canadian post-rock outfit Godspeed You! Black Emperor will soon release their fourth studio album, ‘Allelujah! Don’t Bend! Ascend!, and it’s definitely worth checking out. You can stream the record over here. The band was also recently interviewed for The Guardian, too, and this entire post should keep you occupied for a while.
Over at Bloom, Dr. Francine Toder—a retired psychotherapist and author of The Vintage Years, who learned to play the cello in her 60s—writes about the neuroscience studies that support creative blooming in later life. Check out also this excerpt from The Vintage Years.
This week in book-related infographics: Waterstones has put together an illustrated formula for the ultimate bestseller, "a thriller tale of crime, bondage and wizardry."
If novels are written to remind us of our mistakes and we keep repeating those mistakes, why read novels at all?, asks Alberto Manguel. Richard Lea discusses authors' views on the relationship between the novel and memory at The International Forum on the Novel.
"I slumped into an empty corner opposite Say Goodbye, Cattullus and wept into my knees for a half hour." Catherine Lacey writes for The Paris Review's "Revisited" series, "in which writers look back on a work of art they first encountered long ago." Pair with our own Bill Morris's consideration of artists whose works channel writers.
"There’s something to be said for allusive titles: they can be intriguing and draw you in. And obscure titles at least make a change from the current trend for The Woman Who Climbed out of Her Car and Mowed the Lawn. (I made that one up, though it could be a bestseller). But when it comes to titles that are simply misleading, there are just far, far too many." In a piece for the Guardian Moira Remond considers some of the most misleading and misunderstood book titles, such as John Williams's Stoner (which our own Claire Cameron wrote about here.)