At The Hairpin, Edith Zimmerman tries her hand at spooky short fiction.
In an essay for TriQuarterly Lia Purpura writes about Virginia Woolf's "moments of being" and their importance for contemporary writing. "Woolf’s particular flavor of modernism is rooted in the drive to gather, hold, and deepen moments, to make the shimmering moment of perception the base upon which “reality” rests. Her sensibility honors the fleeting, fragile instances of a person’s life."
Recommended Reading: Amy Gentry writes on the effects of rape culture and its permeations through art and literature. “I realize that what I’m describing here isn’t a list of books I’d like to see banned from the classroom; in fact, it is a list of my favorite books. It also a solid bit of evidence that Western culture is rape culture. Or, to put it another way: rape culture is just culture-culture. If only there were a trigger warning big enough for that.”
The New Yorker has launched an online-only series dedicated to the novella, featuring longer works of fiction the magazine isn’t able to fit into print. “The novella is not, usually, an expanded story. Rather, it is a contracted novel, in which the omissions cover much ground. It is more ambitious than a story, denser and more gemlike than a novel.” Callan Wink’s In Hindsight launches the series, with an interview with the author.
Jesmyn Ward signed a deal for two books with Simon & Schuster: one adult novel with Scribner and the other a middle-grade novel with Caitlyn Dlouhy Books, according to Publisher's Weekly. From our archives: Ward's 2017 Year in Reading entry and our interview with the two-time National Book Award winner.