Portraits of authors composed of their own words? Why not.
Morrisey, Lauren Groff, and Erica Jong are among the finalists for the 2015 Bad Sex in Fiction award. The award is presented annually by the British magazine Literary Review in an attempt to “draw attention to poorly written, perfunctory or redundant passages of sexual description in modern fiction, and to discourage them.” Past winners include Norman Mailer and John Updike (the sole recipient of a prestigious lifetime achievement award).
“Riordan’s books prompt an uneasy interrogation of the premise underlying the ‘so long as they’re reading’ side of the debate—at least among those of us who want to share Neil Gaiman’s optimistic view that all reading is good reading, and yet find ourselves by disposition closer to the Tim Parks end of the spectrum, worried that those books on our children’s shelves that offer easy gratification are crowding out the different pleasures that may be offered by less grabby volumes.” In an essay for The New Yorker, Rebecca Mead considers questions about what children should be reading through the lens of the Percy Jackson series.
“Is the reason to have a home, as the narrator in Jenny Offill’s Dept. of Speculation, asserts, ‘to keep certain people in and everyone else out’? Or does home, as the narrator in William Maxwell’s autobiographical novel So Long, See You Tomorrow suggests, work primarily as a scaffolding of known things — as a place to read, a place to stash the damp umbrella, a place to listen to the porch swing creak?” Beth Kephart on the literary significance of home.