Portraits of authors composed of their own words? Why not.
Several years ago, Jeff Sharlet closely investigated The Fellowship – a “self-described invisible network dedicated to a religion of power for the powerful” – in order to write a book about “how fundamentalism came to be interwoven with American power.” Now, Sharlet has followed up his initial report with an article about Westmont College, a “feeder school” for the religious movement. This is highly recommended reading for anybody interested in the intersections of power, influence, religious fundamentalism, and American politics.
Tana French pegs the cause of Ireland’s financial crisis on “a total disconnect between action and consequence.” For many Irish citizens since the collapse of the Celtic Tiger, she writes, “their whole sense of a world governed by coherent cause and effect, of their ability to have any agency in their own lives, came under attack.” Bonus: our own Edan Lepucki has previously written about French’s novels and plotting.
In addition to the fact Amazon reviewers and experts agree “in aggregate about the quality of a book,” non-professional reviews on Amazon tend to be “more eclectic,” “more supportive of debut authors,” and less biased in favor of authors with whom they associate than media experts.
Recommended Reading: Mary Addison Hackett reflects on heroin and harm reduction at n+1. “It is clear that no one — no neuroscientist, psychologist, psychiatrist, or physician — can explain what addiction is or account for its contradictions. Tobacco, cocaine, heroin, alcohol, MDMA, amphetamines — are they inherently addictive? Common knowledge suggests they are. But all around me I see exceptions more than the rule, my friends who use, have used, some or all of these drugs, including heroin, casually. I, too, am one of the exceptions.”
“In eleven years, I’ve written four books: three novels and one story collection. Only the story collection has ever seen the light of day; the first two novels, including my thesis, were never published and the third novel is making the rounds with agents right now. I’d like to believe I’ve learned a few things about how fiction works over this time, but perhaps it is more accurate to write that I have learned how my fiction does – or in many cases, does not – work.” Michael Nye, who’s written for us before, shares his “Lessons in Failure and Writing a Novel” on the Missouri Review blog.