Portraits of authors composed of their own words? Why not.
Nice Wrinkles, Beckett
Literature With a Bang
What can you find at a gun show: firearms, NRA-lovers, and chapbooks? Patrick Wensink discovers the literary subculture of gun enthusiasts. Best chapbook titles: “Homebrew TNT,” “Beat the Box: The Insider’s Guide to Beating the Lie Detector” and “Emergency War Surgery.”
Tomorrow and Tomorrow and Tomorrow
The mystery of the skull that might once have sat between the shoulders of one William Shakespeare will remain unresolved for now. A senior church lawyer for St. Leonard’s Church in Beoley, Redditch, has barred the group of curious clergymen from removing the skull for DNA testing. Alas, poor William.
Chicken or Hen?
“Katrina Dodson has spent more time thinking about the word ‘chicken’ than you have spent thinking about anything.” The Stranger sits down with Katrina Dodson, translator of Clarice Lispector’s The Complete Stories. Pair with Dodson’s Year in Reading.
Voracious Reading
Are you the type of reader who craves the food described in novels like our own Nick Moran? Then take The Guardian’s “Food in fiction” quiz. Sample question: “According to the Queen of Hearts in Alice in Wonderland, what kind of food is eaten tomorrow, yesterday, but never today?”
Truest Forms
As a literary technique, imitation is usually thought of as an amateur move, despite the number of classic works that began as overt acts of mimicry. At the Ploughshares blog, Anca Szilagyi comes up with several prompts for writers who want to imitate thoughtfully.
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E-Books Upend Publishing Class
A Columbia University course that has taught generations of bright-eyed would-be Maxwell Perkins the ins and outs of the New York publishing biz has had to retool its curriculum to account for the e-book phenomenon, the New York Times reports.
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Infinite Boston
Earlier this month William Beutler, a D.C. based writer, started a blog about the landmarks in Boston that inspired the landscape of David Foster Wallace’s Infinite Jest. Beutler does a great job chronicling the real-life history of different buildings and explaining how DFW altered them to fit into his novel.
Act 266, Scene 6
How do you turn a 900-page novel into a play? You make it five hours long, that’s how. Roberto Bolaño’s classic 2666 is headed for the stage.
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