Portraits of authors composed of their own words? Why not.
Slate books and culture columnist Laura Miller looks at what this year’s bestseller list tells us about 2017. One of her conclusions, “2017 was the year that the very concept of a best-seller became even more dubious.” After reading her analysis, check out our Year in Reading lists, whose authors found joy in reading and viewed it as one of the few good things of this year, even if the bestsellers of the year didn’t reflect those feelings.
“We get the book adaptations we deserve… We need to re-tell these stories over and over because each generation sees them in a different way, needs different things from them. We tell these stories again and again, their survival over time proof of their intrinsic value. People are writing new Zeitgeist-y things all the time of course, but we return to classics because the stories have endured for a reason.” Sky Friedlander on the “Literary Period Piece.”
“The specter of the confessional haunts all first-person writing, and women’s writing in particular,” but perhaps “the instinct to insert [the self] comes from a place of saying, ‘I’m not an expert, I’m just a person; let me show you where I’m situated here in this thing I’m telling you about.'” Our own Lydia Kiesling writes about Meghan Daum, Lena Dunham, Leslie Jamison and the confessional impulse in nonfiction for Salon.