Herewith, an amazing takedown of Fifty Shades of Grey, spoken by none other than a horrified Salman Rushdie. If a quote like this isn’t a good reason to go to The New Yorker Festival, we don’t know what is.
“Made Twilight look like War and Peace”
How Do You Turn The Page?
A South Korean designer has created “a translucent plastic tray with a slot for your reading material – be it paper, magazine or book – and a specially marked spot for mugs.” The idea is to prevent unfortunate coffee spills from ruining your morning newspaper. Or, you know, you could just stop being so clumsy.
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Make Fascism Great Again
“There’s still time to look something else up.” Merriam-Webster pleads with word lovers to prevent “fascism” from becoming its word of the year, The Guardian reports. See also: this Lithub piece about the social media genius behind M-W‘s Twitter feed.
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“It’s a process that doesn’t stop.”
An in depth interview with Chris Andrews on the subject of translating Roberto Bolaño and César Aira.
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Tuesday New Release Day: Englander, Chaon, Boo, Ausubel, Gaddis, Burroughs
Two hotly anticipated collections of stories are out this week: Nathan Englander’s What We Talk About When We Talk About Anne Frank and Dan Chaon’s Stay Awake. Also new this week are Katherine Boo’s Behind the Beautiful Forevers, Ramona Ausubel’s No One is Here Except All of Us, which she wrote about here recently, Dalkey’s new edition of The Recognitions by William Gaddis, and a new volume of William S. Burroughs’ letters.
Becoming a Better Writer by… Not Writing?
Julia Fierro is a writer we’ve featured before, and her first novel Cutting Teeth was published last month. But as she explains in a new piece, there was a stretch of time when she didn’t write at all. “I was so cruel to myself, so impatient, beating myself up daily for not writing,” she says. “It took seven years worth of teaching… before I returned to writing with solid commitment. And when I did sit down in front of my computer, I was a better writer.”
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