Here’s a rare recording of Ezra Pound reading his work.
Listen Up!
Translation Matters
The Guardian reports that translated literary fiction sold almost twice as much as English-language fiction in the UK last year.
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A Quintet of Interviews for Your Delectation
Anya Ulinich, author of Petropolis, talks to World Literature Today: “What else can a person do when she gets home after a ten-hour work day – with a toothache that she can’t afford to fix . . . – but fall on the couch and watch whatever is in front of her face?” . . . Lydia Davis, whose Collected Stories is just out, talks to Sarah Manguso for The Believer: “At the origin of the work there has to be strong feeling, if it’s going to be any good. Of course, that strong feeling can be a delight in language.” . . . The Book Bench unearths a 1978 John Updike interview with a Croation periodical, which finds the Rabbit Angstrom author halfway through his tetralogy. . . . Edwin Frank of NYRB Classics talks to Omnivoracious, and selects his favorite books in the series (via). . . . And James Ellroy submits to interrogation at The Paris Review: “I was always thinking about how I would become a great novelist.”
“There is so much life in cemeteries.”
Recommended Reading: “There Goes Valzer,” a new short story by László Krasznahorkai. (Translated by George Szirtes.)
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Flynn, Strayed, and Likability
“That’s always been part of my goal — to show the dark side of women. Men write about bad men all the time, and they’re called antiheroes. … What I read and what I go to the movies for is not to find a best friend, not to find inspirations, not necessarily for a hero’s journey. It’s to be involved with characters that are maybe incredibly different from me, that may be incredibly bad but that feel authentic.” Gillian Flynn and Cheryl Strayed talk with The New York Times about the adaptations for Gone Girl, Wild, and writing credible characters. Their conversation pairs well with our own Edan Lepucki‘s essay on likability in fiction.
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Chemical Disruption
“The short story is an odd form, forever dying out or undergoing a revival, impossible to define, sometimes seeming to be united by being nothing more than a text which happens to occupy around thirty pages or less: novels for people who can’t be arsed reading novels. Yet the best stories in both of these books show what the form is capable of: the world reflected in a puddle, the light gleaming for an instant, fireflies.” C.D. Rose reviews New American Stories, edited by Ben Marcus, for 3:AM Magazine.
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Transcendentalist by Day; Awful Cook by Night
How could anybody believe Henry David Thoreau invented raisin bread? The Walden author once burned down about 300 acres of forest trying to cook fish!
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How Did I Get Here?
It looks like Rowan Ricardo Phillips is the new basketball columnist for The Paris Review. His first piece is a bit of an introduction into his own basketball life. We’ve brought you a couple roundball–related pieces in the past.
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