Here’s a rare recording of Ezra Pound reading his work.
Listen Up!
Reading With Our Ears
“But was I actually reading? I regarded myself as a reader, but were these really books?” In LitHub, James Tate Hill pens an essay about reading while visually impaired and the questions it raises in a print book obsessed world. Pair with: our own Bill Morris on hearing an actor narrate his novel’s audiobook.
Revisiting Recent History
“I should probably write a few words about 2015, but the year is stale now, rung out like a damp dish rag and left to dry in the cold, dour winds of some rundown burg blasted off the map by poverty and overcast. 2015 has been recorded, logged, and filed away as History, and as an American, I abide by my country’s allergy to revisiting History.” Catapult’s Mensah Demary on the tradition of New Year’s resolutions.
Overlooked Heroines of the African-American Press
"Ida B. Wells was part of a much larger network of black women journalists who dared to wield their pens in the names of truth and justice."
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Challenging the Able-Bodied Gaze
“I hate the idea that you must write every day because I really can’t do that. Sometimes the aching bones in my body will not allow it.” Electric Literature interviews three writers—Keah Brown, Esmé Weijun Wang, and Jillian Weise—about disability, publishing, and accessibility. From our archives: Wang’s 2016 Year in Reading entry.
New Sherlock Holmes Story
The last few weeks have been all about rediscovered works by beloved authors, first Harper Lee‘s upcoming sequel to To Kill a Mockingbird, then Dr. Seuss‘s What Pet Should I Get? Now Arthur Conan Doyle joins the trend with a rediscovered Sherlock Holmes short story, available online from Vulture.
Open City Grants
Open City, which is published by the Asian American Writers’ Workshop, is awarding $5,000 grants to “talented Asian American emerging writers looking to hone their creative nonfiction skills by engaging directly with contemporary New York.” The application deadline is April 8.
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We’re Not In the Establishment. Right, Geoff?
In The Guardian, Geoff Dyer talks about about the literary establishment and how, in particular, “unspoken assumption that [it] – whatever it is – is a bad thing.”