“We live in a time of image explosion, but without that network images are just content. There’s simply no possibility of a viral digital success—a ‘Call Me Maybe‘ of painting or photography—because a work only becomes successful upon its art world approbation.”
Like Etsy, But For Art
Going Bananas Over a Piece of Cake
Ever wonder where the phrase “worth his salt” came from? How about “spill the beans”? At The Smithsonian Magazine, Lisa Bramen traces the origins of food-related idioms. (via.)
“It was as though the novel had outstretched arms and I fell in.”
Recommended Reading: Anna Wiener on Speedboat by Renata Adler. Adler’s book, which David Shields recommended on our site two years ago, will be reissued by NYRB Classics in March, 2013.
Johnson’s Spy Thriller
“The Laughing Monsters is, ultimately, about reality, myth, and outright lies. Johnson has always been interested in those moments when the thin skin of the world breaks and we are ushered, unprepared, into another realm.” Stav Sherez reviews Denis Johnson‘s The Laughing Monsters (which we listed in our Second-Half 2014 book preview) and considers the modern spy thriller for the Los Angeles Review of Books.
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The Women Warriors
“As I read her words, I experienced a feeling previously unknown to me: recognition. I had always turned to books for pleasure, as portals to other places. Reading The Woman Warrior, for the first time I saw myself on every page and in every word.” For Catapult, Alexis Cheung writes about representation, being an Asian-American writer, and reading and interviewing Maxine Hong Kingston. From our archives: Kingston’s work was featured in Alexander Chee‘s 2015 Year in Reading.
Finding “the fountainhead of the humanities”
Tracing the biological origins of aesthetics, Harvard Professor E.O. Wilson argues for a tighter bond between the humanities and the sciences and identifies the metaphor as the wedge that will keep them forever divided.
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