“We live in a time of image explosion, but without that network images are just content. There’s simply no possibility of a viral digital success—a ‘Call Me Maybe‘ of painting or photography—because a work only becomes successful upon its art world approbation.”
Last week, I pointed readers to a speech by the late James Salter, reprinted by The Paris Review Daily in tribute to the writer after his death. For a fan appreciation, you can read Kevin Lincoln in Hazlitt, who leads his piece with the observation that Salter “wrote sentences you could unfold into paper lanterns.” Pair with our own Sonya Chung’s review of Salter’s All That Is.
Recommended Reading: Nicola Kraus and Emma McLaughlin on writing for free (or not).