“‘This is a place where people can let their Jane Austen freak flag fly.'” Last weekend, the Jane Austen Society of North America held their annual meeting in New York, attracting fans from all over the country, including Cornel West and Anna Quindlen.
Every book reviewer has probably, at one point or another, savaged a book a bit too savagely. But if given the opportunity, would you recant? Would you admit that you’d overstepped? Would you feel good about doing so? At an event last month, Snowball’s Chance author John Reed hosted an event at which NBCC critics did exactly that.
Out this week: Everything Love Is by Claire King; They Are Trying to Break Your Heart by David Savill; The Moravian Night by Peter Handke; All Joe Knight by Kevin Morris; Of All That Ends by Günter Grass; and A Woman Looking at Men Looking at Women by Siri Hustvedt. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
There are a lot of writers who work in advertising, and it's starting to have an impact. People are more likely to love brands if there is a story involved, according to a new study. "We’ve known for a long time there is no ‘buy’ button in the brain. But these results show there’s a ‘story’ button," neuroscientist Paul Zak says. Pair with: Our essay on working at a creative agency after getting your MFA.
The New Inquiry's updated site launched over the weekend, and it's currently undergoing a live beta test. They've also just unveiled a bumper crop of new bloggers. One of the site's interesting features is that all of its content is available for sharing and remixing under a creative commons license.
"But where Smiley condescended, others were enthralled. Salmon Rushdie waxed lyrical, John Updike found it 'stunning,' Susan Sontag hosted him at dinner parties. Gabriel Garcia Marquez dubbed him, simply, 'the Master' - high praise from the founder of magical realism, but Kapuściński seemed to one-up Garcia Marquez by injecting magic into real politics, and elucidating thereby the human tension and bewilderment connected to power that traditional journalism left hidden." Ryszard Kapuściński: novelist? Journalist? Or something else entirely?