“‘A language without umlauts,’ he wrote, ‘sounds monotonous, harsh, and boring.'” If Esperanto just doesn’t have enough umlauts, Volapük just might be the right made-up language for you.
“Dibs on Darcy… You can have Wickham!“SNOOTs slander Strunk & White.New York Magazine offers an exhaustive – nigh unto Talesian – look at the marriage of Gay and Nan.For Colson Whitehead, “The Coolest Writer in America is obviously [DC Comics villain] Mr. Freeze…”…while, for luminaries at the PEN gala, it’s Mr. Doctorow.Vanity Fair on “The New Yiddishists“: “They have this idea they don’t want to be pigeonholed.” Oops.Bookslut decamps for Berlin, where she will become, presumably, Buchschlampe.For “that pleasant L.A. malaise,” see this annotated reading list.Cool old covers for sci-fi chestnuts (via The Book Bench)……and hot new covers for classics (via The Second Pass).Joseph O’Neill becomes the latest beneficiary of President Obama’s literary stimulus plan.The exclamation mark is back!!!The Esquire Fiction Contest is also back. All entries must be titled “Twenty-Ten,” “An Insurrection,” or “Never, Ever Bring This Up Again.”S.E. Hinton was literary royalty at the L.A. Times book festival.
In a piece for The New York Times Jennifer Moses takes a tour of south Louisiana, “a place that produces writers the way France produces cheese — prodigiously, and with world-class excellence — a place that calls on its writers’ talent and inspiration and, in turn, is reflected back into the world through their words,” and of the past haunts of Tennessee Williams, Anne Rice and Kate Chopin.
In 2012, the Portuguese writer José Luís Peixoto, on the occasion of Kim Il-Sung’s 100th birthday, went to North Korea for a fifteen-day trip. The experience led him to write a travel memoir, Inside the Secret, which you can read in serialized form online at Ninth Letter magazine. You could also read Pulitzer laureate Adam Johnson’s new Granta essay about the country.
“Post-apocalyptic books are thriving for a simple reason: The world feels more precariously perched on the lip of the abyss than ever, and facing those fears through fiction helps us deal with it.” A look at the future of post-apocalyptic fiction from NPR, with a mention of our own Emily St. John Mandel‘s Station Eleven.