“‘A language without umlauts,’ he wrote, ‘sounds monotonous, harsh, and boring.'” If Esperanto just doesn’t have enough umlauts, Volapük just might be the right made-up language for you.
The F.B.I. had a massive file on James Baldwin in the fifties and sixties. Among other things, their notes featured passages of surprisingly adept criticism, including an oddly in-depth look at sexuality in his work. You could also read Justin Campbell on race, fatherhood and Baldwin’s fiction.
The diary novel may be “an under-attended” genre, but Johannah King-Slutzky is trying to remedy that. In an essay for The Hairpin she traces the diary novel’s history from the Victorian era to Go Ask Alice while examining the genre’s balance of “melodrama and awkward moralizing” with the potential for subversion.
First our own Mark O’Connell pondered the relationship between listicles and our shrinking attention spans for The New Yorker, and now Arika Okrent suggests that a listicle is its own literary form – albeit a “gloriously unspecified” form, at that. Together, these pieces constitute 2 Meditations On Listicles That Will Totally Change Your Life.
Thomas Hardy was one cold dude. Read some of these excerpts from his letters and find your day ruined. Highlights include a critique of a prime minister’s funeral and his excitement at the hanging of Elizabeth Martha Brown, accused of killing her husband. Here’s a Millions piece on the difficulties of teaching Hardy in 21st-century Florida.
Split This Rock’s Tenth Annual Poetry Contest is now open for submissions, judged by Sheila Black. All prize winners will be invited to read at the 2018 Split This Rock Poetry Festival and have their poems published in The Quarry.