Barrelhouse editor Dave Housley wrote a “Commercial Fiction” piece for Hobart’s website about the “trippy magical realism” in Coors Light advertisements. You know what that means, right? People all over the world! Join hands. Start a love train. (Love train.)
James Hynes discusses the books he read when writing his latest novel, Next: "I wanted to see if I could write a day-in-the-life novel, a narrative that would be set in a single day, or part of one, and by working backwards and forwards through flashbacks, encompass the entire life of a single character."
"Diversity matters. Not only in what we look like, or what religion we practice, or in whom we love, but also in how we live our lives, including the order in which we go about things, the seasons in which we are able to create art." Robin Black wonders "What's So Great About Young Writers?" in a piece for the New York Times. Pair with our own series celebrating writers who got their start after 40.
"Think the kennel partner was a man? Think he was, in Braverman’s telling, threatened by her success? You are correct. There are so many stories like this, in Double Bind, of ambition built up and then put in its place: the high school classmate who sneered to Roxane Gay, when he learned that she’d been accepted to Yale when he had not, 'affirmative action.'"
Avril Haines, the new deputy director of the CIA, had an interesting career before landing in the Langley. According to a Washington Post report, Haines used to own an independent bookstore in Baltimore, where she “welcomed patrons for the occasional readings of high-toned erotica over chicken tostadas.”
“There’s this sense of guilt that my writing career is going well because black people are being killed. I’ve reached a point where I don’t know if I have anything new to say. It’s the same narrative over and over.” Debut novelist Brit Bennett gets profiled for The New York Times about The Mothers, which we included in the list of October book releases we're most excited about.
Thanks to Jane Friedman, the Virginia Quarterly Review is really blossoming of late when it comes to social media and increased web presence. Case in point: these once-a-week poem posters on their Facebook page. Extra case in point: the sort-of-not-so-secret Tumblr they’re working on!