Barrelhouse editor Dave Housley wrote a “Commercial Fiction” piece for Hobart’s website about the “trippy magical realism” in Coors Light advertisements. You know what that means, right? People all over the world! Join hands. Start a love train. (Love train.)
Your eyes do not deceive you, Rumpus readers — Margaret Atwood sat down for this week’s Sunday interview. She talks with Gina Frangello about her novel-in-excerpts, Positron, along with the art of responding to readers on Twitter. (You can also check out her piece for Year in Reading.)
Recommended Reading: This review, though it is really much more than that, of Daniel Williams’ Defenders of the Unborn. Williams’ book takes a detailed look at the history of anti-abortion activism before Roe v. Wade, but more generally it seeks to complicate our entire definition of activism in the context of the pro-life/pro-choice debate.
The New York Times gives Pulitzer Prize-winning historian Taylor Branch a well-deserved profile. I’ve mentioned before that his take down of the NCAA’s corruption is astounding, but now’s a good time to mention that his e-book, The Cartel: Inside the Rise and Imminent Fall of the NCAA, is even better. Branch also appeared on Wednesday night’s “Colbert Report” to discuss the book.
Six novelists discuss their second-favorite art forms (after writing, of course). Before you click, see if you can guess which one of these folks is most interested in opera: Kazuo Ishiguro, Lavinia Greenlaw, John Lanchester, Alan Werner, Sarah Hall and Colm Tóibín.