“Up until very recently, I’d recount my online experiences with some degree of shame or sheepishness, but in this apocalyptic year of 2012, that embarrassment is beginning to fall by the wayside. I’ve been having more and more conversations with people grappling with what is gained and lost by how some of our most meaningful musical discoveries– not to mention life experiences– have happened in front of, or facilitated by, screens.” Over at Pitchfork, a new column dedicated to the intersections between digital and ordinary life – and the art these interactions can produce.
Iowa City, which is one of six UNESCO Cities of Literature, will honor renowned Ghanaian poet Kofi Awoonor with a memorial reading this Monday, October 14. Awoonor was among those killed in the attack on Westgate Mall in Nairobi, Kenya. The reading, which will be hosted by Awoonor’s nephew, Kwame Dawes, will take place on the University of Iowa campus, but it will also be open to anybody with an internet connection. People are invited to tune in to the event’s streaming webcast, and also to submit questions for Dawes online to the @UIIWP Twitter account by utilizing the #Awoonor hashtag.
Over at Ploughshares, Daniel Peña traces a parallel between Maggie Nelson’s The Argonauts and Gloria Anzaldúa’s hybrid text Borderlands/La Frontera: The New Mestiza. As he puts it, “To separate Anzaldúa from the larger canon (and subsequently from those books she influenced) is to ignore her contribution to American literature. It’s to say she doesn’t belong in that kind of highbrow conversation, which she so obviously does—even Nelson acknowledges that she does.”
“His books used to be ink on paper; now we have to squint through the cloud of the Ellroy Phenomenon.” And the James Ellroy Phenomenon looks like it will only continue: the author has announced plans for a second L.A. Quartet, the first of which, Perfidia, comes out next week.