What’s a Wordsworth scholar to do when nature offers him no epiphanies?
I Wandered Lonely As A Cloud
Boltanski’s No Man’s Land
French installation artist of the forgotten, Christian Boltanski, presents a new exhibit in New York: a vast landscape of old clothes and biscuit tins entitled No Man’s Land at the Park Avenue Armory. Image gallery at The Daily Beast.
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Slave Driver
Recommended Reading: Katherine Sunderland on Michael Bundock’s The Fortunes of Francis Barber.
I’d Like to Thank…
“It is not, however, fashionable to love acknowledgments, and for good reason: Most of them are numbingly predictable in their architecture, little Levittowns of gratitude.” In her last piece for The New York Times as a daily book critic, Jennifer Senior writes about her unabashed love for acknowledgements in books. From our archives: Henriette Lazaridis‘s essay on the same topic.
Cockroaches in Skinny Jeans
Is that an iPod Nano? And a fixed gear bike? Uh-oh: you might have hipsters (via).
Is Korean Literature About to Break Out?
Thanks in part to Dalkey Archive Press’s recently announced Library of Korean Literature, works from Korea are poised to reach a broad and welcoming international audience as never before. Yet the country is still “pin[ing] for its own world-famous writer,” writes Craig Fehrman. Perhaps Kim Seong-kon is just what the doctor ordered.
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Nabokov on Butterflies
Vladimir Nabokov, who lived a parallel existence as a self-taught expert on butterflies and a Harvard museum curator, has had his theory on butterfly evolution finally proved sixty-five years later. (Thanks, Kevin)
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I Tweet Therefore I am
Twitter lets writers think in public, and it’s changing the way we write, Thomas Beller argues in The New Yorker. “Does articulating a thought in public freeze it in place somehow, making it not part of a thought process but rather a tiny little finished sculpture? Is tweeting the same as publishing?”
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