Ever wondered how the fact-checking process works? Well wonder no longer. The Columbia Journalism Review posted an excerpt from their recently published Art of Making Magazines collection, and it explains The New Yorker’s workflow as well as the perils of “Shoot-the-Fact-Checker Syndrome.”
How Fact-Checking Works
Tuesday New Release Day: Yuknavitch; Keyes; Rich; Pierpont; Hobbs; Johncock; Hall; Taseer; Waclawiak; Mitchell; Markovits; Bai; Keating; Lepucki
Out this week: The Small Backs of Children by Lidia Yuknavitch; The Woman Who Stole My Life by Marian Keyes; The Hand that Feeds You by A.J. Rich; Among the Ten Thousand Things by Julia Pierpont; Vanishing Games by Roger Hobbs; The Last Pilot by Benjamin Johncock; Speak by Louisa Hall; The Way Things Were by Aatish Taseer; The Invaders by Karolina Waclawiak; Pretty Is by Maggie Mitchell; You Don’t Have to Live Like This by Benjamin Markovits; French Concession by Xiao Bai; The Captive Condition by Kevin P. Keating; and the paperback edition of our own Edan Lepucki's California. For more on these and other new titles, check out our latest book preview.
●
●
James “Faulkner” Franco
James Franco isn’t done with William Faulkner’s oeuvre just yet. After screening his adaptation of As I Lay Dying (trailer here) at the Cannes Film Festival this year, Franco announced that he plans on bringing The Sound and the Fury to the big screen next.
●
●
New Hughes
A previously unpublished short story by Langston Hughes is now available online at The New Yorker. Pair with our own Emily Colette Wilkinson’s staff pick, Tambourines to Glory.
●
●
Long Memory
When Damien Searls first read W.G. Sebald, he thought the German writer was uniquely good at factoring historical circumstance into his thinking. Sebald's unyielding reminders of the horrors of the past were a nice corrective to the feel-good pablums of the ‘90s. But reading Sebald now, Searls thinks something has changed. What happened? The world went online. (Related: Greg Walklin on Sebald’s A Place in the Country.)
●
●
2 comments:
Add Your Comment: Cancel reply
This site uses Akismet to reduce spam. Learn how your comment data is processed.
Sterling Cooper Draper Time
"According to the biography, Hadden designed the fact-checking system with the thought that putting a male writer and a female researcher together in a quasi-adversarial situation would create a sexual dynamic that could lend energy to the process." Calvin Trillin's memories of the Time offices in the early 1960s are at times more Mad Men than Mad Men.
●
●
ROTUS
Curious what the Obamas will be reading over Christmas? The Scrutinizer in Chief stopped by Upshur Books in Washington, D.C. on Small Business Saturday to selected a nice little haul for the winter break with titles ranging from Jonathan Franzen’s Purity to Rachel Renée Russell’s Dork Diaries 1: Tales from a Not-So-Fabulous Life.
●
●
The Salman Rushdie Channel
Slate's got a video interview with Salman Rushdie in three parts, and his speaking agency has released a rare video from one of Rushdie's previously unrecorded talks, where the man describes writers as much more vulnerable than ideas.
eBooks for the brain
By now we're used to the age-old, tiresome books vs. ebooks debate: which one is cheaper, better-smelling, better for notes, better for authors, better for the Earth. But which one is better for the brain?
●
●
One of the most fascinating glimpses into fact-checking is THE LIFESPAN OF A FACT, which consists of the text of an article that John D’Agata published in THE BELIEVER and his often cranky but funny exchanges with the magazine’s fact checker, Jim Fingal; the email exchanges between D’Agata and Fingal take up much of the book than does the original article. (Complicating this whole question is that some accounts say that the exchanges in the book were written to represent the process of fact-checking, rather than being exactly the exchanges between D’Agata and Fingal.) Still, for journalism/writing/editing geeks, it’s a fascinating book.
I know this pushes the discussion away from the original post just a bit (fact-checking) but carrying this even further, into the whole question of “what is fact” in non-fiction, is an essay that appears on TriQuarterly, “The Facts of the Matter.”
Great point, Joe. Here’s that article in case anybody else is curious: http://triquarterly.org/essay/facts-matter
Also here’s Millions staffer Mark O’Connell’s review of THE LIFESPAN OF A FACT: https://www.themillions.com/2012/03/cool-story-bro-the-provocations-of-john-dagata.html