“Well, continuing with my policy of baring my soul, Dwight Garner said something like, the book was like one of those satellite photos of North Korea when I talked about the second marriage. I obviously had very little access to Updike from ‘77 on, really. And I cheated a bit by using Ian McEwan as my spy in the Updike household. First of all, Updike definitely did pull up the drawbridge and retire into his castle and I thought, in a sense, that this should be respected. He had decided on his persona, at that point—the highly professional man of letters. And I thought, why not let him go out with that persona intact?” At The Awl, Elon Green talks with Adam Begley about his new biography of John Updike.
New this week: How to Set a Fire and Why by Jesse Ball; I Am No One by Patrick Flanery; The Long, Hot Summer by Kathleen MacMahon; The Trap by Melanie Raabe; Absalom’s Daughters by Suzanne Feldman; The Dream Life of Astronauts by Patrick Ryan; and Angels of Detroit by Christopher Hebert.
The good souls at Longform.org have organized all of this year’s National Magazine Award winners.
George Washington as you’ve never seen him before: First, a cartoon entitled “Cox and Combs” and second, a live action avant garde take on the founding father.
At the LRB’s blog, J. Robert Lennon pays tribute to Russell Edson, the playwright, novelist and prose poet who passed away last week. Lennon recounts that Edson was that rare favorite author who he learned about thanks to a cassette tape. (If you like the blog post, you could also read Lennon’s most recent novel.)
If your honey-bun doesn’t need another iPod or bottle of perfume this Christmas, consider Heifer International, a non-profit that lets you give the gift of heifers, sheep, goats, bees, rabbits, or water buffalo.