Director Ross Ching was so inspired by photographer Matt Logue’s “Empty LA” project, he decided to expand the idea. What’s resulted is the ongoing Empty America series, whose first two installments depict Seattle and San Francisco without any humans present. Coming up: Washington D.C. and New York City.
Empty America Series
“A Caul of Ambiguity”
“How could we possibly trust any creature that comes into the world wearing such a caul of ambiguity? That’s “essayists.” Four hundred and four years later, they continue to flourish.” John Jeremiah Sullivan offers a loose history of the essay, essayists, and all their many contradictions in a piece for The New Yorker.
Viet Thanh Nguyen and the Refugee’s Narrative
Viet Thanh Nguyen discusses the complexity behind refugee narratives and resisting the temptation of shallow representation.
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This Is Not a Novel
Lindsey Drager considers the novella and argues that it is neither a feminine form nor a smaller type of novel. As she puts it, “while other fiction aims outward, the novella curls in, coiling around itself until there’s no distinction between the story’s body and the story’s shell.” Pair with our own Nick Ripatrazone’s essay on the art of the novella.
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An Engine, An Engine
“It is a superstitious business—childish, really—the marking, or even the noticing, of anniversaries like these. Such fastening pretends that one day can be like another, pretends that every day is not, ultimately, only its own day, the only version of itself that will ever come. But ‘Daddy’ is itself a poem built on a bedrock of anniversaries.” At The Paris Review Daily, Belinda McKeon marks the birthday of an oft-revered poem.
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The 12th Caine Prize
NoViolet Bulawayo has won the 2011 Caine Prize for African Writing for her story “Hitting Budapest” (pdf).
Revisiting Olive with Elizabeth Strout
Elizabeth Strout discusses the surprising popularity of Olive Kitteridge, and why she revisited the character in her new book, Olive, Again.
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Finnegans Punk
Forget One Direction. Meet the little known boy band made up of John Cage, James Joyce, and Joey Ramone. Cage composed a song based on Joyce’s Finnegans Wake called “The Wonderful Widow of Eighteen Springs,” which Ramone later sang to haunting effect.
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