Christopher Ketcham takes Harper’s readers through the “antimonopolist history” of Monopoly, “the world’s most popular board game.”
Granta has a new series in which authors explain how they arrived at successful opening sentences. In the latest installment, Colombian author Héctor Abad links the brain chemistry that inspired him to write his chosen sentence with the chemistry that inspired him to fall in love with his wife.
If your default mood hovers between melancholy and despair, you may be cheered (or at least made a bit less glum) by this argument that striving for happiness is bad for us in the long run. Mari Ruti makes the case that a “happy, balanced life” depends in large part on a kind of emotional numbness.
“Save everything, she said. Everything. When your archive gets bought, they pay by the cubic foot.” Sarah Manguso in The New York Times about drafts in an era of digital writing. And while we're on the subject , here's what Ben Fountain, Emily St. John Mandel, Emma Straub and a passel of other writers have to say about writing that elusive first draft.
For Electric Literature Jennifer Baker interviews Yahdon Israel who hosts the weekly literary interview series LIT on Youtube. On his inspiration for starting the show; "I watch a great deal of interviews on the Breakfast Club, James Lipton’s Inside the Actors Studio, Sway in the Morning, Hot 97, Between Two Ferns. And the people who are seldom interviewed are writers. In many ways being Black has taught me to notice what isn’t there. That lens lends itself to what I notice about pop culture: We’re missing from the conversation. Better put: We’re not included. And by “we” I mean writers." Watch the show and subscribe, some interviews include Kaitlyn Greenidge, Claire Messaud, Victor LaValle and Jesmyn Ward.