I didn’t expect to find a Chinese poem more ornate than Su Hui’s palindromic, pre-oulipan “Xuanji Tu,” but apparently I underestimated myself. Here’s “Lion-Eating Poet in the Stone Den,” a 92-character poem by Yuen Ren Chao which relies on the tonal variations of a single sound (shi) to tell the story of a “lion addict” with a taste for big cats. For a really crazy experience, I recommend listening to the poem being read aloud.
Poet turned playwright Sarah Ruhl’s latest stage production, Dear Elizabeth, is based on the correspondence between Elizabeth Bishop and Robert Lowell. She recently spoke to Ruth Graham about her inspiration, and whether other writers’ letters could be adapted for the stage as well. (As an aside: you really should read The Clean House if you haven’t already.)
Have we entered into the age of New Modernism? Better yet, what does “New Modernism” even mean? Let regular Millions contributor Jonathan Russell Clark explain it to you in his essay for LitHub on George Saunders, Alexandra Kleeman, and experimental feeling. This Millions review of Gabriel Josipovici’s What Ever Happened to Modernism? is particularly relevant.