If you’re on the East Coast and still have power, don’t let Sandy ruin your Halloween – feast your eyes on these vintage horror paperback covers, instead. Stay safe!
Jacob Silverman tackles the niceness epidemic besieging literary criticism at the moment. Where have the hatchet jobs gone? Is social media’s “communalism” robbing critics of their fangs? Each time a publication refuses to print a negative review, the act amounts to “a victory for a publicist, but not for readers,” he writes. (Just a few notes: Silverman’s piece is based on a blog post he wrote recently; Emma Straub has responded on her own blog; and, for what it’s worth, our own Michael Bourne’s recent review of Richard Ford’s Canada was pretty toothy.)
The Canadian writer Mavis Gallant passed away on Tuesday morning at the age of 91. A frequent New Yorker contributor, Gallant published two novels and ten volumes of short fiction in her lifetime, one of which, Home Truths, won the Governor General’s Award. The Globe and Mail’s obituary describes her as having “a journalist’s nose, a cinematographer’s eye and a novelist’s imagination.” (Andrew Saikali wrote about Gallant for The Millions back in 2008.)
This week, our own Lydia Kiesling took part in The Morning News Tournament of Books, where she adjudicated a showdown between Scott McClanahan’s Hill William and Ruth Ozeki’s A Tale for the Time Being. Who went on to the next round: the trans-Pacific odyssey, or the tale of West Virginia? (You could also read our own Edan Lepucki’s Tournament contribution from last year, or else read our own Nick Moran’s Year in Reading piece on Scott McClanahan.)