In the Paris of the late 19th century, the courtesan was “an essential part of the pecking order,” writes Heather Hartley at the Tin House blog.
“Russia’s most celebrated writers – including Dostoevsky, Tolstoy, Nabokov, Bulgakov, Solzhenitsyn and Mandelstam – are often depicted as solitary geniuses. But many of their works were the fruits of creative partnerships with their wives. Far from being passive typists, they served as editors, researchers, translators, publishers and more.”
“I was dropping out of college and had begun a novel and returned to New York. A bookstore in Manhattan announced a rare reading and signing by Anthony Burgess, a primary hero of mine at the time, for his autodidact’s erudition and braggadocio, and for how he’d gentrified a number of outre genres just by picking them up and mingling them with his erudition and braggadocio.” At the LARB, Jonathan Lethem remembers a formative reading by the author.
A new, non-profit literary journal has launched in Austin, Texas. Each issue of The Austin Review will include four pieces of flash non-fiction, four short stories, and one work of critical analysis. Special attention will be paid to writers from the city that gave us Sixth Street.
“Quite possibly I’m a narrower, nastier and less morally responsible writer now than I was the day before my son was born. I certainly hope so.” We know Father’s Day was over a week ago, but here’s a belated link to a refreshingly cliché-free New York Times Bookends piece on parenting and writing, featuring James Parker and Mohsin Hamid.