In the Paris of the late 19th century, the courtesan was “an essential part of the pecking order,” writes Heather Hartley at the Tin House blog.
A new library has been designed for the small village of Huairou on the outskirts of Beijing. Instead of adding a new building inside the village center, the architects chose a site in the nearby mountains, a pleasant five minute walk from the village center. “In doing so we could provide a setting of clear thoughts when one consciously takes the effort to head for the reading room.”
“What would happen if Donald Rumsfeld, former defense secretary and architect of the war on terror, was abducted at night from his Maryland home, held without charges in his own prison system, denied a trial, and kept in a place where no one could find him, beyond the reach of the law?” That’s the question behind Eric Martin and Stephen Elliott‘s new novel Donald, forthcoming from McSweeny’s.
Recommended Reading: Hannah Rose-Woods on totalitarianism in the wizarding world.
Over at Aeon, Jenny Davidson explores what makes a great sentence. As she puts it, “A great sentence makes you want to chew it over slowly in your mouth the first time you read it. A great sentence compels you to rehearse it again in your mind’s ear, and then again later on.” Pair with our own Michael Bourne’s essay on sentence structure for creative writers.