Allan Gurganus commemorates the 100th anniversary of his teacher and friend John Cheever’s birth. “Cheever, now unfairly known as the gloomy, sodden satyr of suburbia,” Gurganus writes, “was at least rarely gloomy. Fact is he was more fun per minute than is legal in a nation this Republican.”
A Century of Cheever
n+1 Podcast with Sam Lipsyte
You can stream n+1‘s podcast with Sam Lipsyte. It “chronicle[s] Lipsyte’s journey from his role as ‘Lead Screamer’ for the punk-rock band Dungbeetle to the publication of his third novel, The Ask.”
Keija Pernissen Interview
The Missouri Review‘s Michael Nye sits down for an interview with The Ruins of Us author Keija Parnissen. The book, he says, is his “first must read book of the year.”
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Chabon and Waldman Go HBO
Michael Chabon and Ayelet Waldman are teaming with Darren Aronofsky on an HBO pilot, Hobgoblin.
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Robert Gardner and Peter Matthiessen in Conversation
The New York Times unearthed footage from a 1996 interview with Robert Gardner and Peter Matthiessen. The pair discuss a trip they took to New Guinea in the 60s, which “resulted in Gardner’s film Dead Birds and Matthiessen’s book Under the Mountain Wall.”
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Early Years
Renowned children’s author Lois Lowry talks to The Days of Yore about writing as a mother, living in Japan as a child, and early receptions to Number the Stars and The Giver.
Strange Tomes
The contents of the Warburg Library suggest it was conceived in a fairy tale. As Adam Gopnik describes it, the shelves of the quirky London establishment include things like medieval astrology tomes and a section on “The Evil Eye.” Yet despite its notoriety, the University of London filed a lawsuit against it last year, as part of a move to incorporate the Warburg into its greater library. In the latest New Yorker, an essay on the controversial landmark.
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Historical Fiction Focuses on the 20th Century
The Walter Scott prize did an analysis of prize submissions since its eight years of existence-with 650 novels submitted-and found that “38% of its submissions were set in the 20th century, while 19% were set in the Victorian era, between 1837 and 1901.” They also found many of the submissions focus on World Wars II and II and that the number of women historical fiction writers submitting their work has gone up.”The [Walter Scott] Prize celebrates quality, innovation and longevity of writing in the English language, and is open to books first published in the previous year in the UK, Ireland or the Commonwealth,” the breakdown is fascinating.
dismayed he isn’t read more widely–