Novelists, poets, and playwrights aren’t the only people who can call themselves writers. Don’t forget the oft begrudged screenwriters. The New York Times highlights 14 of this year’s best screenwriters, including Julie Deply and Seth Rogen, and asks them for writing advice and one original line of dialogue for some excellent short films. Our favorite short film is Robert Redford’s.
“In another experiment, people who went through this ‘experience-taking’ process while reading about a character who was revealed to be of a different race or sexual orientation showed more favorable attitudes toward the other group and were less likely to stereotype.”
In the latest issue of The Boston Review, Elaine Scarry reviews Steven Pinker’s
The Better Angels of Our Nature. Pinker argues that literature, by bolstering man’s empathy, has lead to huge reductions in worldwide violence, a thesis that sounds dangerously close to the absurd pop-science of Jonathan Gottschall’s The Storytelling Animal.
Among the many quotable and occasionally perplexing lines in this interview with V. S. Naipual is this one, which the Bend In The River author drops upon hearing that his interviewer, Isaac Chotiner, is a fan of P. G. Wodehouse: “I can’t read Wodehouse. The thought of, shall we say, facing three or four months of nothing but Wodehouse novels fills me with horror.”