“Poe’s verses illustrate an intense faculty for technical and abstract beauty, with the rhyming art to excess, an incorrigible propensity toward nocturnal themes, a demoniac undertone behind every page—and, by final judgment, probably belong among the electric lights of imaginative literature, brilliant and dazzling, but with no heat.” – Walt Whitman on Edgar Allan Poe’s significance, circa 1880.
Whitman on Poe
Who Did You Talk To
You may have read some portion of the infamous Watergate transcripts. What you probably haven’t read is quotes from the transcripts rearranged into poetry. At The Paris Review Daily, a few representative poems by Richard Nixon, including “I Can’t Recall,” “The Position” and “In the End.” You could also read our own Michael Bourne on Thomas Mallon’s book Watergate.
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Tuesday New Release Day: Adler; Smith; Harris; Margolin; Hall; Mailer; Saramago
Out this week: The Wall by H.G. Adler; How to Be Both by Ali Smith; Screenplay by MacDonald Harris; Woman with a Gun by Phillip Margolin; Essays after Eighty by Donald Hall; Selected Letters by Norman Mailer; and Skylight by the late Nobel laureate José Saramago. For more on these and other recent titles, check out our Great Second-half 2014 Book Preview.
Curiosities
Both Ed and the Washington Post interview Tobias Wolff on the occasion of the release of his new collection, Our Story Begins.Bookride chronicles some of the most unlikely and amazing discoveries in the history of book collecting. In part one, he discusses many runners-up - including "An incredible collection of modern first editions, mostly fine in jackets turned up in the 1980s in a shed in the Australian desert causing dealers to fly in from New York, Berkeley and Santa Barbara." Part two covers the greatest find. It begins "In 1907, during his second expedition to Chinese Central Asia, Sir Aurel Stein, a Hungarian-born British archaeologist, encountered a monk who showed him a hoard of manuscripts preserved in a cave near Dunhuang."In BOMB, Zachary Lazar and Christopher Sorrentino discuss Lazar's book Sway. Lazar appeared in our Year in Reading.You may have to wait ten years for the rest of it, but Junot Diaz gives readers a sneak peak at his next novel at Omnivoracious.Baseball predictions, highly personalized.J.K. Rowling, now retired from writing about a boy wizard, has embarked on the next step of her career, protecting her legacy. First up is a lawsuit against a companion book written by a superfan librarian. But, as the Times seems to indicate with its account of the trial, that way madness lies: "The librarian, Steven Jan Vander Ark, had the mild-mannered demeanor of Ron Weasley, and the intelligence, charm - and haircut - of Harry Potter. Even his name sounds like that of a character in one of the books, if preceded by "Lord" or "Master." Although, at 50, he is older than Ms. Rowling, 42, he looked like a schoolboy, with an unlined face and caramel-colored hair parted down the middle."
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Appearing Elsewhere
AWP Attendees: Millions editor and founder C. Max Magee will be on a panel at AWP on Friday. "Ask Not What the Internet Can Do for You: Shifting Our Perspective on Internet Publishing as an Alternative to Major Market Publishing" will discuss electronic publications as central to the needs of 21st-century writers and readers, and not as entities serving as secondary iterations of preexisting publications. The panel is at 3pm in Virginia A Room, Marriott Wardman Park, Lobby Level. See you there!
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Three Women, Three Lives
“It’s a major work of scholarship and interpretation, but also one that some readers may foolishly reject as unimportant on account of its theme, the ultimate ‘minor’ topic in the eyes of the heterosexual masses.” In the LRB, Terry Castle reviews Lisa Cohen’s new biography.
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Populist Poetics
"What happens when everyone's a poet?" asked Marjorie Perloff in the Boston Review. Now, Mike Chasar and Jed Rasula debate what that popularity might actually mean for contemporary poetry.
The Poor Mouth
You’ve likely heard that artists these days are in trouble. The probability that your average creative person will make a living from their art is getting smaller by the day. But amidst all this hand-wringing, we forget one simple fact -- it’s always been getting worse, and there’s always been something killing culture. At Slate, Evan Kindley writes about Scott Timberg’s new book Culture Crash, asking whether the Internet is really the dread force it’s often made out to be.
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