Following up her post about Judy Blume’s Forever, our own Lydia Kiesling writes about Vladimir Nabokov’s Lolita for PEN American Center’s ongoing series for Banned Books Month. It’s a book, Kiesling writes, which serves as an “exhibition of a uniquely talented person at the zenith of his powers.” (This isn’t the first time she’s discussed the book, by the way.)
Vladimir Nabokov and “divine dribble”
The Internet and Self-Publishing
“Publishers, writers, and readers alike really need to sit down and take this trend [the rise of self-publishing] seriously, rather than using the poetry.coms and AuthorHouses of the world as straw-men, scapegoats, piñatas, or other bludgeonable what-have-yous in the same tired and ineffectual arguments about how the Internet is ruining the publishing industry.”
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Imagine Capitalism
We get it, you're into finance -- but what can you tell me about lit crit? This piece from The Atlantic purports to show how literary theory has its place in the world of finance: "The act of imagining the future in finance goes by other names—'vision' and 'invention' are among the more respectable euphemisms—in order to disguise the presence of the non-rational in financial activity. But rarely do scholars explore the role of imagination in economic life systematically. In a realm dominated by economic and financial scholarship that aspires to be 'scientific,' fantasy and creativity in envisioning the future are often ignored; they don't fit well into a model of research whose aim is to reduce unknowns and to eliminate surprises as much as possible."
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The Cows
A German cow named Yvonne escaped her impending trip to a slaughterhouse and soon became a national icon. In the wake of public outcry, officials have called off the search for her. Elsewhere, Lydia Davis is probably regretting that this story broke after she published her bovine chapbook The Cows.
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W Memoir on the Way
The Decider will be offering his version of the Presidential memoir with Decision Points (sounds like a thriller, no?) due on November 9. (One week after mid-term elections)
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The 80-page Rule
How do you know if the book you're writing is going to fly or flop? Try writing the first 80 pages without worrying about the outcome as Meg Wolitzer does. "Eighty pages is enough pages for a writer to feel she’s accomplished something, but it’s not so many pages that, if she decides to put aside the book, she’ll feel as if she’s wasted her life," she told the Daily Beast for its "How I Write" series. It must work because we loved The Interestings.
“Queries are unacceptable”
Recommended Reading: Willy Blackmore talking to Matthew J.X. Malady about the time he tried to be a literary agent.
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