Christopher Higgs was teaching Grace Krilanovich’s The Orange Eats Creeps, and one of his students was inspired to make a mixtape featuring “the twisted, crusty, and often sublime characters found within the novel.” (The book, by the way, was one of my selections for Year in Reading last year.)
Kundiman, an organization dedicated to “the creation and cultivation of Asian American poetry,” is now accepting submissions for its annual Kundiman Poetry Prize. One winner will receive $1,000, book publication with Alice James Books, and a featured reading in New York City. The deadline is March 1, 2013.
“How can you write a complete story without a conventional plot? We often hear that in short stories, the main character must change. But in some stories, including some by Grace Paley, the characters don’t change. Instead, her stories change the reader. You’re different by the time you reach the end.” We’ve told you about The Atlantic’s “By Heart” series plenty of times before. This week, it’s Alice Mattison, who touches on everything from character development to the strange stories of Grace Paley.
“Ah the world, oh the whale!” At The Washington Times, my review of Philip Hoare’s wonderful new anatomy of all things cetacean, The Whale, winner of the prestigious Samuel Johnson nonfiction prize. (ECW)
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“I had put manure bags—yes, manure, which is what we could get—at the front and back doors.” Publishers Weekly looks at how Houston-area indie bookstores are faring post-Harvey.
At The Chronicle of Higher Education: A breathtakingly ballsy piece by an anonymous professional writer of academic papers — friend to non-native speakers, the rich and lazy, and the hopelessly dim. Whatever your professor wants, he delivers (for a fee, of course). This Ed Dante might remind you of Vitaly Borker, the charmingly unapologetic (and equally ballsy) thug internet retailer profiled by David Segal in the NYTimes a few weeks back.