When did the air of scandal surrounding Philip Roth give way to a kind of reverence? At a certain point, Roth lost his reputation for controversy. In The New Republic, Adam Kirsch investigates the odd story of Roth’s career, including evidence from Claudia Roth Pierpoint’s new book about the author, Roth Unbound (which we reviewed).
Two full-length trailers for much-anticipated films dropped this week. First up is Pixar’s Brave, which will hit theaters this June. Meanwhile, on the other end of the spectrum, fans get to see Robert Pattinson star as Eric Parker in David Cronenberg’s adaptation of Don DeLillo’s Cosmopolis.
Sam Tanenhaus, editor of the New York Times Book Review, talks to Noah Charney about his life, his work, and his taste in books. Answers are typical but insightful, with one incredibly colorful exception: Tanenhaus’s ideal workplace is bizarre. (Hint: The atmosphere falls somewhere between a nuclear fallout shelter and the kind of place you would keep a hostage and it’s nothing like where we write.)
At the Philadelphia Inquirer, neurologists look at cases where serious brain injury has actually brought about higher levels of creativity in artists, particularly where linguistic ability is harmed. “Language is the bully of the brain,” [one neurologist] says. “It takes up its own space and if something else gets crowded out, too bad.” (via Book Bench)
“Because at the end of the day, there is no magic solution, no short-cut, to writing something that hopefully will last. No matter how we search for one.” Jeff VanderMeer gives eight writing tips for aspiring writers in the Chicago Review of Books. See also: VanderMeer’s prolific 2017 Year in Reading entry.
In anticipation of Adam Sternbergh’s novel, Shovel Ready, Chris Bilton and Sarah Liss collaborated on “the ultimate N.Y.C. dystopia map,” which serves as an amalgamation of “some of the darkest visions of the city.” Meanwhile, Jacob Silverman points us to a map of St. Petersburg, Russia, “made out of lines from Russian literature.” (Bonus: Sternbergh discusses his novel with the Los Angeles Times.)