Writing for Popular Mechanics, our own Bill Morris “envisions the bright future of the great American city” he once called home: Detroit.
The Detroit Comeback
Writing as Profession
Writers can’t create original work without financial stability and a minimum amount of rest, writes Maggie Doherty in Dissent. Pair with Kate Angus’s Millions essay on making a living as a poet.
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“Elbowing, nudge-nudge, wink-winking”
Recommended Listening: Alissa Nutting discussing her new novel on Brad Listi’s Other People Podcast.
“The worlds of rock and lit appear to be merging”
What do indie rock musicians share in common with experimental writers? A great deal, and not just a distaste for both of those over-used adjectives.
Concealing Horrors
“According to David Means and his debut novel, Hystopia, [classic war novels] aren’t simply about confronting the horrors of war, but also about concealing them, hiding them under a layer of rationalizations and wishful thinking that often simplifies their lawless anarchy and finds sense, meaning and purpose where there’s little.” Over at Electric Lit, Simon Chandler reviews David Means’s Hystopia.
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The Thoreau Diet
“Thoreau did kill, cook and eat a woodchuck that was eating his beans. But he decided that was a lousy way to treat a woodchuck and he never did it again.” In celebration of his bicentennial, NPR sets straight five myths about Henry David Thoreau‘s diet, including the pernicious canard that he stole pies from neighbor’s windowsills. See also “My Summer with Henry,” on reading Thoreau’s Cape Cod on Cape Cod.
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The Investigation of Feeling
“I think it’s important that poets exist in societies because they exist in the realm of affect. Feeling is important to them. How people feel, what they feel, what breaks them, how trauma resonates through their lives… that’s a legitimate space in poetry. It’s a legitimate space for investigation.” Aaron Coleman interviews Citizen author Claudia Rankine about intimacy, her writing process, and her experience in an MFA program.
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