Writing for Popular Mechanics, our own Bill Morris “envisions the bright future of the great American city” he once called home: Detroit.
The Detroit Comeback
V. S. Naipaul talks Reading, Writing, The Arab Spring, and Wodehouse
Among the many quotable and occasionally perplexing lines in this interview with V. S. Naipual is this one, which the Bend In The River author drops upon hearing that his interviewer, Isaac Chotiner, is a fan of P. G. Wodehouse: “I can’t read Wodehouse. The thought of, shall we say, facing three or four months of nothing but Wodehouse novels fills me with horror.”
“Free to make her a watery presence”
Recommended Reading: Jonathan Lee’s interview with Year in Reading favorite Rachel Kushner. The piece is a nice complement to our own interview with Kushner from last year.
Jennifer Egan at 15
Maybe the real reason I like Jennifer Egan is that there are so many freckled protagonists in her books. Patricia Zohn at the Huffington Post asks the author about her family, parenting, and her writing obsessions (like freckled faces). She even gets a photo of Egan as a teenager!
●
●
Emergent Criticism
The National Book Critics Circle has announced its inaugural class of Emerging Critics, including our own Ismail Muhammad! Read his first piece for us, “Frank Ocean and the Black Male Body,” here.
●
●
We at the Hotel, Motel, Holiday Inn
The Oxford American has made True Grit author Charles Portis’s “Motel Life, Lower Reaches” available online for the first time. The piece first appeared in an OA issue from 2003, and it’s also available in Escape Velocity, but you should still read it because it’s Charles Portis, damn it, and you’ve only one life to live in this world. (Related: Hobart just published their “Hotel Culture” issue, which is also worth your time.)
●
●
The 2016 BTBA Longlist
The longlist for this year’s Best Translated Book Award came out. Fiction finalists include Year in Reading alumna Katrina Dodson’s translation of Clarice Lispector’s Complete Stories (reviewed here by Magdalena Edwards), Ann Goldstein’s translation of Elena Ferrante’s The Story of the Lost Child, Lisa Dillman’s translation of Yuri Herrera’s Signs Preceding the End of the World (discussed here in our Book Report), and Christina MacSweeney’s translation of Valeria Luiselli’s The Story of My Teeth (reviewed here by Lily Meyer). Poetry finalists include Jason Weiss’s translation of Silvina Ocampo and Fiona Sze-Lorrain’s translation of Yi Lu.
●
●