Héctor Tobar’s The Barbarian Nurseries is being developed into a movie, reports Edward Douglas for ComingSoon. (You can read an excerpt of the book over here.) Elsewhere, you can read Tobar’s take on how “the writer is a revered figure in France.”
“I want to show you our world as it is now: the door, the floor, the water tap and the sink, the garden chair close to the wall beneath the kitchen window, the sun, the water, the trees.” Apples, plastic bags, teeth In The Guardian, Karl Ove Knausgaard attempts to explain the world to his unborn baby, object by object. Pair with our review of his epic, My Struggle.
B|ta’arof Magazine recently launched its inaugural issue. The publication arrives “in response to the absence of a printed space, in English, for social comment, reflection and shared experience among the Iranian community.” You can preview the first issue and read their calls for submissions on their website, and I also encourage you to read up on the magazine’s Persian namesake.
Over the past week, the work of three Millions staffers has been shown off for other publications: Mark O’Connell talks Lethem, Dyer and Batuman for Slate; Emily St. John Mandel talks noir for Beyond the Margins; and Garth Risk Hallberg names his selection for this year’s Pulitzer-less Pulitzer Prize for Fiction.
“It makes you think you are just about to write, for once, something brilliant.” Everyone knows that Moleskines don’t really affect your writing, but they nevertheless represent a kind of literary standard. As we step into the future and doodling goes digital, will products like electronic writing tablets put the leather-bound versions out of business? Somewhere Hemingway is turning in his grave.
“Writing difference is a challenge, particularly in fiction. How do men write women and vice versa? How do writers of one race or ethnicity write about people of another race or ethnicity? More important, how do writers tackle difference without reducing their characters to caricatures or stereotypes?” Roxane Gay reviews Joyce Carol Oates‘s The Sacrifice and simultaneously explains how to write difference well. Hint: it “demands empathy, an ability to respect the humanity of those you mean to represent.”