Héctor Tobar’s The Barbarian Nurseries is being developed into a movie, reports Edward Douglas for ComingSoon. (You can read an excerpt of the book over here.) Elsewhere, you can read Tobar’s take on how “the writer is a revered figure in France.”
The Barbarian Nurseries to be a Film?
The (Literary and Presidential) Simpsons
On a Venn Diagram, this site would represent the intersection between “The Simpsons” and prominent works of literature. This one would represent the intersection between “The Simpsons” and a former First Lady.
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The Hand that Feeds Them
Stephen Elliot explains why publishers are shooting themselves in the foot when they gouge authors trying to buy copies of their own books.
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Choose Life
“The purpose of being a serious writer is not to express oneself, and it is not to make something beautiful, though one might do those things anyway. Those things are beside the point. The purpose of being a serious writer is to keep people from despair. If you keep that in mind always, the wish to make something beautiful or smart looks slight and vain in comparison. If people read your work and, as a result, choose life, then you are doing your job.” Year in Reading alumna Sarah Manguso on envy and the purpose of writing. Pair with Jaime Green’s Millions review of Manguso’s Ongoingness.
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To the Inferno
LDS Superstar: Parker & Stone’s The Book of Mormon
Some Mormons are excited about the recent news of Trey Parker and Matt Stone‘s forthcoming musical, The Book of Mormon: “How can they call us a cult once we’re headlining 52nd Street? The Jews got ‘Fiddler.’ The Catholics got ‘The Sound of Music’ and ‘Doubt.’ It’s our time to shine.” Read more at the Salt Lake Tribune.
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a hectic, unblanced life
D.T. Max’s forthcoming David Foster Wallace biography, Every Love Story is a Ghost Story, has been excerpted in Newsweeek magazine, and you can read it online.
“Last night I dreamt I went to Manderley again.”
Continuing Tin House’s great “The Art of The Sentence” series, Vishwas Gaitonde dives deep into the opening line from Daphne du Maurier’s Rebecca. (Come on, we all know the one.) Be sure to catch Tin House‘s previous TAoTS series installments as well.
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