Open Road Media is highlighting a collection of “Stories With Grit,” which is composed of stories that “grab you by the collar, knock you around a bit.” They’ve shared excerpts from some of their favorites, but which ones would you recommend?
“Maybe the optimists are right; maybe poetry does help you live your life. And maybe they are more right than they know, and it rounds you out for death.” Andrew O’Hagan writes for The Guardian about falling in love with poetry and coming to see the poet as “a risk-taker, a miracle-maker, a moral panjandrum and a convict of the senses.”
Out this week: The Children Act by Ian McEwan; The Dog by Joseph O’Neill; Barracuda by Christos Tsiolkas; Hold the Dark by William Giraldi; Prelude to Bruise by Saeed Jones; Faithful and Virtuous Night by Louise Glück; Gangsterland by Tod Goldberg; Happiness: Ten Years of n + 1; Neverhome by Laird Hunt; and Station Eleven by our own Emily St. John Mandel. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
Graduation season is upon us, and college students across the nation are listening to esteemed commencement speakers. Some get treated to the likes of Bill Watterson, Jon Stewart, or Barbara Kingsolver. (I got to listen to The Rock.) In the thrill of the moment, it feels like it hardly matters who’s at the podium. One wonders if audiences really grasp the material in these speeches right away, or if the speaker’s words only become clear later on. Inspired by David Foster Wallace’s iconic Kenyon address in 2005, our own Kevin Hartnett tried to find out.