The Atlantic interviews Erin Gruwell, a teacher whose methods for teaching her students about prejudice became the basis of a book (and subsequent movie) called The Freedom Writers. Named after a group of bus-riding civil rights activists, the students in her classes wrote lengthy journal entries — many of them relating to their own personal traumas — in order to compare them with diaries by historical figures. Writing journals, Gruwell says, helped her students learn to like schoolwork.
In case you missed it: Google bought Frommer's last August. Then in April, Google announced that it would stop printing hard-copy guidebooks, so founder Arthur Frommer bought his company back. All of this has led Doug Mack to argue that not only do we need guidebooks, but they should be part of the literary canon. "They also stand out for shaping history, if not always intentionally, because of their authoritative reputation—they have long been the best insight into that which would be otherwise unknown."
In a long tradition of online experimentation, Amazon has now started including something called "Shopping-enabled Wikipedia Pages" in its internal search results (see the second result here). Now you can view a copy of Wikipedia pages for authors like David Foster Wallace, J.K. Rowling, Jonathan Franzen, and probably thousands of others. How can Amazon do this? Wikipedia pages are free for anyone to reuse for almost any purpose, so long as the license info is displayed. Why is Amazon doing this? It wants free content that it can monetize.
Recommended Reading: Tyler Stoddard Smith's essay on when Allen Ginsberg stayed with his family. "The following night, after Ginsberg’s poetry reading (why would I want to go to that?) a group of students eager for him to impart morsels of omniscience were forced to wait outside my room while we played video games on my Atari 2600—I destroyed Ginsberg at Frogger, but he eviscerated me on Combat."
Dominic Umile takes a look at the Daytripper, a comic by Brazilian brothers Fábio Moon and Gabriel Bá. The comic, which was selected recently for les Fauves d'Angoulême – the largest comics festival in Europe – concerns the "volley of riches and failure from the desk of an obituary writer." As Umile notes, the art of obituary writing experienced quite a popularity surge in 2012. Times public editor Margaret Sullivan wrote about the regularity with which obituaries appeared on A1 in the paper, and the column even warranted the creation of its own dedicated Twitter account.